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| November, 2009 (3) |
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 Friday, November 20, 2009
Juicy Watercolors
Posted by jessica
Online Seminars | Videos
11/20/2009 11:06:02 AM (Eastern Standard Time, UTC-05:00)
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 Monday, November 16, 2009
Paint Mist and Fog in Watercolor
Posted by Kelly
A sense of atmosphere can be the difference between a so-so landscape and a masterpiece. Veteran watercolorist Donald Patterson suggests this method for creating a semblance of mist and fog in your watercolor paintings: "Make a tinted, watery mix with titanium white gouache and brush it over the watercolor background. Select areas of the mist can be darkened or removed by wetting them with water and blotting with paper towels, making the technique practically fail-safe." Step 1: Paint any landscape as it would appear on a clear day. Step 2: Mix a watery wash of titanium white gouache tinted with a touch of phthalocyanine blue. On scrap paper, stroke the mix over some dried colors. Let it dry and you’ll be able to see if it has the desired coverage. If it’s too transparent, add more white. If it’s too opaque, add more color. From the December 2009 issue of Watercolor Artist. For more tips from Donald Patterson and other acclaimed watercolorists also check out Watercolor Secrets. From the Magazine
11/16/2009 2:13:37 PM (Eastern Standard Time, UTC-05:00)
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 Thursday, November 05, 2009
Creativity Workshop: Pour It On
Posted by sarah.strickley
 Pat San Soucie explains how she painted Bright Landscape (above; watermedia and crayon on paper, 30x22): "I wetted the entire surface before pouring red, yellow and blue acrylic
mixes, then used aquarelle crayons to create circle and oval shapes. I
also played with small dots of complementary colors, adding metallic
pigments and scrubbing to accentuate tree shapes and field forms.
Additional contrasts of smoky grays added the final touches." You'll find the artist's 10-step paint pouring demo in the December 2009 issue of Watercolor Artist.Create a rich, textural underpainting using San Soucie’s pouring
and tissue paper blotting techniques. From there, build up an exciting
abstract design using her methods or your own experimental techniques;
or, for a more realistic approach, use the poured underpainting as the
start to a rich landscape, figure or still life painting. Send a JPEG
(with a resolution of 72 dpi) of your painting to wcamag@fwmedia.com
with Creativity Workshop in the subject line, and tell us about your
process. We’ll choose our favorite paintings and publish them on our
website. One entrant will receive a six-month subscription to
ArtistsNetwork.tv online video work-shops, plus $50 worth of North
Light fine art books. The deadline for entry is December 15, 2009.
MORE RESOURCES FOR ARTISTS
* Online
Seminars for Fine Artists
* Instantly download fine art magazines, books & video
workshops
* Sign up for your
Artist's Network email ndemos
From the Magazine | Tips and Tools
11/5/2009 8:57:51 AM (Eastern Standard Time, UTC-05:00)
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 Friday, October 30, 2009
One Artist Retweets Her Way to a Free CD
Posted by sarah.strickley
 Last week, we rolled out our WCAwards program on our Twitter feed ( @wcamag). Here's the deal: We tweet about special offers or deals we know about, you retweet the news, and then we enter you in a drawing for a free prize. We're really very excited about all of this because we LOVE giving away free stuff and once we realized that Twitter could give us a quick and easy way of giving away all manner of awesome Watercolor Artist swag, we were hooked on the idea. So, we're quite pleased to announce that artist, crafter and blogger, Verna Grant ( @studiovee), is the winner of our first WCAwards drawing. We'll be sending her a copy of our 2005 CD archive, which just went on sale this month as part of our initiative to digitize all of our back issues. Congrats to Grant and to everyone who joined in the retweeting fun. Keep your eyes open for the next WCAwards announcement--who knows what we might be giving away next?!?--and have a happy Halloween!
MORE RESOURCES FOR ARTISTS
* Online
Seminars for Fine Artists
* Instantly download fine art magazines, books & video
workshops
* Sign up for your
Artist's Network email newsletter & receive free fine art tips &
demos Overheard
10/30/2009 2:23:43 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, October 29, 2009
5 Insider Tips for Entering Art Competitions
Posted by Kelly
 In case you haven't heard, we wrapped up the judging of our Watermedia Showcase competition a few weeks ago (Sorry, no spoilers here. You're going to have to wait for the February issue to see the winners announced.), and just a few weeks before that, a colleague and I juried a local arts fair. In general, I love to jury shows. For one thing, I love looking at great art, plus shows are a great way to find new talent to feature in the magazine and gauge trends—Are there more abstracts than usual this year? Is mixed-watermedia still hot? As a juror, I always approach a competition with such high hopes, which is why it's so frustrating when I see people shoot themselves in the foot by not adhering to the rules of the competition or by simply not giving the presentation of their work the proper due. Here are some important dos and don'ts for entering art competitions. 1. Do use your own photo references. It's embarrassing and damaging to all involved when a prize must be revoked because it's been determined that an artist has used someone else's photos as source material. 2. Do make sure the photography is high-quality. It's unprofessional and distracting to see someone's backyard fence framing a painting in the slide or digital image. Crop! Also, if the painting is poorly lit, it can't be judged properly, and almost always gets disqualified right off the bat. 3. Don't pander to the jurors by submitting work that looks just like theirs. They see right through that; and, trust me, it wins you no points. 4. If the exhibition has a variety of categories (landscapes, abstracts, figures, etc.), don't stretch the interpretation and enter a loosely painted landscape into the abstract category, for example, simply because that category generally gets fewer entries, and you think it will increase your chances of winning. It just encourages the juror to assume you don't understand your own work. 5. Don't get discouraged if you don't win. Lots of terrific paintings get rejected in competitions that pull in a lot of entries. Consider that you may never know how much a juror may have struggled over the decision. You may have been THIS close. Maureen Bloomfield, editor of The Artist's Magazine, and I will be sharing more insider tips on how to make intelligent choices when deciding what shows and competitions to enter, so that you don't throw away your money or your time. Catch us live Tuesday, November 3 at 1:00 (EDT) for Entering Art Competitions: Enhance Your Chance of Success.
From the Magazine | Online Seminars | Tips and Tools
10/29/2009 11:18:37 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 28, 2009
All Media Art Competition
Posted by sarah.strickley
If you missed the deadlines for our Watermedia Showcase Competition and you're still interested in earning recognition (and cash!) for your work, check out the latest competition sponsored by our sister title, the Artist's Magazine. Here are the deets on the All-Media Online Competition: PRIZES:Grand Prize Award: $500 7 First Place Awards: $100 each The Grand Prize winner and all 7 First Place Winners will receive complimentary subscriptions to The Artist's Magazine and $100 worth of North Light Books. Honorable Mentions receive complimentary subscriptions to The Artist's Magazine and $50 worth of North Light Books. Winners will be featured on The Artist's Magazine website along with a list of Honorable Mentions. All Winners and Honorable Mentions will receive a certificate suitable for framing. 7 CATEGORIES: Acrylic, Digital Art, Graphite/Charcoal/Colored Pencil, Mixed Media/Collage, Oil/Oil Pastel, Pastel, Watercolor. DEADLINE:All entries must be postmarked no later than November 2, 2009.Find out how you can enter your work by clicking here.
MORE RESOURCES FOR ARTISTS
* Online
Seminars for Fine Artists
* Instantly download fine art magazines, books & video
workshops
* Sign up for your
Artist's Network email newsletter & receive free fine art tips &
demos
Overheard
10/28/2009 9:41:34 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 27, 2009
 Monday, October 19, 2009
Four Steps to a Sketch
Posted by jessica
From the Magazine | Tips and Tools
10/19/2009 2:33:46 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 16, 2009
Reel Art
Posted by jessica
From the Magazine | Overheard
10/16/2009 11:32:31 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 13, 2009
Notes from North Light: Sculpt Intricate Details of Light
Posted by Kelly
 To achieve the beautiful effects of soft yet radiant light for the piece Dawn (left), artist Robin Berry uses small scrubber brushes as well as toothbrushes to blend and blur the hard lines created by masking fluid. Berry, a potter as well as a watercolorist, refers to this softening and rounding the edges as “sculpturing” the light, a process she likens to the act of molding clay. For large areas, Berry first sprays the areas with clean water, then uses a wet toothbrush to scrub the hard edges with a small circular motion. For smaller areas, she uses a small scrubbing brush that's wet with clean water to gently scrub the area. If you need to repeat this, dry the paper well before doing so, as too much scrubbing can puncture the paper. As you can see, this gentle touch is worth the effort. You can see how Robin Berry created this piece from start to finish in Watercolor Secrets, edited by Rachel Rubin Wolf. North Light Books | Tips and Tools
10/13/2009 2:47:33 PM (Eastern Daylight Time, UTC-04:00)
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Obamas Choose White House Art
Posted by Kelly
Overheard
10/13/2009 12:50:42 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 09, 2009
New Watercolor Download
Posted by jessica
From the Magazine | Tips and Tools
10/9/2009 10:27:05 AM (Eastern Daylight Time, UTC-04:00)
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