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 Thursday, November 05, 2009
Creativity Workshop: Pour It On
Posted by sarah.strickley
 Pat San Soucie explains how she painted Bright Landscape (above; watermedia and crayon on paper, 30x22): "I wetted the entire surface before pouring red, yellow and blue acrylic
mixes, then used aquarelle crayons to create circle and oval shapes. I
also played with small dots of complementary colors, adding metallic
pigments and scrubbing to accentuate tree shapes and field forms.
Additional contrasts of smoky grays added the final touches." You'll find the artist's 10-step paint pouring demo in the December 2009 issue of Watercolor Artist.Create a rich, textural underpainting using San Soucie’s pouring
and tissue paper blotting techniques. From there, build up an exciting
abstract design using her methods or your own experimental techniques;
or, for a more realistic approach, use the poured underpainting as the
start to a rich landscape, figure or still life painting. Send a JPEG
(with a resolution of 72 dpi) of your painting to wcamag@fwmedia.com
with Creativity Workshop in the subject line, and tell us about your
process. We’ll choose our favorite paintings and publish them on our
website. One entrant will receive a six-month subscription to
ArtistsNetwork.tv online video work-shops, plus $50 worth of North
Light fine art books. The deadline for entry is December 15, 2009.
MORE RESOURCES FOR ARTISTS
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Seminars for Fine Artists
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workshops
* Sign up for your
Artist's Network email ndemos
From the Magazine | Tips and Tools
11/5/2009 8:57:51 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, October 29, 2009
5 Insider Tips for Entering Art Competitions
Posted by Kelly
 In case you haven't heard, we wrapped up the judging of our Watermedia Showcase competition a few weeks ago (Sorry, no spoilers here. You're going to have to wait for the February issue to see the winners announced.), and just a few weeks before that, a colleague and I juried a local arts fair. In general, I love to jury shows. For one thing, I love looking at great art, plus shows are a great way to find new talent to feature in the magazine and gauge trends—Are there more abstracts than usual this year? Is mixed-watermedia still hot? As a juror, I always approach a competition with such high hopes, which is why it's so frustrating when I see people shoot themselves in the foot by not adhering to the rules of the competition or by simply not giving the presentation of their work the proper due. Here are some important dos and don'ts for entering art competitions. 1. Do use your own photo references. It's embarrassing and damaging to all involved when a prize must be revoked because it's been determined that an artist has used someone else's photos as source material. 2. Do make sure the photography is high-quality. It's unprofessional and distracting to see someone's backyard fence framing a painting in the slide or digital image. Crop! Also, if the painting is poorly lit, it can't be judged properly, and almost always gets disqualified right off the bat. 3. Don't pander to the jurors by submitting work that looks just like theirs. They see right through that; and, trust me, it wins you no points. 4. If the exhibition has a variety of categories (landscapes, abstracts, figures, etc.), don't stretch the interpretation and enter a loosely painted landscape into the abstract category, for example, simply because that category generally gets fewer entries, and you think it will increase your chances of winning. It just encourages the juror to assume you don't understand your own work. 5. Don't get discouraged if you don't win. Lots of terrific paintings get rejected in competitions that pull in a lot of entries. Consider that you may never know how much a juror may have struggled over the decision. You may have been THIS close. Maureen Bloomfield, editor of The Artist's Magazine, and I will be sharing more insider tips on how to make intelligent choices when deciding what shows and competitions to enter, so that you don't throw away your money or your time. Catch us live Tuesday, November 3 at 1:00 (EDT) for Entering Art Competitions: Enhance Your Chance of Success.
From the Magazine | Online Seminars | Tips and Tools
10/29/2009 11:18:37 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 27, 2009
 Monday, October 19, 2009
Four Steps to a Sketch
Posted by jessica
From the Magazine | Tips and Tools
10/19/2009 2:33:46 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 13, 2009
Notes from North Light: Sculpt Intricate Details of Light
Posted by Kelly
 To achieve the beautiful effects of soft yet radiant light for the piece Dawn (left), artist Robin Berry uses small scrubber brushes as well as toothbrushes to blend and blur the hard lines created by masking fluid. Berry, a potter as well as a watercolorist, refers to this softening and rounding the edges as “sculpturing” the light, a process she likens to the act of molding clay. For large areas, Berry first sprays the areas with clean water, then uses a wet toothbrush to scrub the hard edges with a small circular motion. For smaller areas, she uses a small scrubbing brush that's wet with clean water to gently scrub the area. If you need to repeat this, dry the paper well before doing so, as too much scrubbing can puncture the paper. As you can see, this gentle touch is worth the effort. You can see how Robin Berry created this piece from start to finish in Watercolor Secrets, edited by Rachel Rubin Wolf. North Light Books | Tips and Tools
10/13/2009 2:47:33 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 09, 2009
New Watercolor Download
Posted by jessica
From the Magazine | Tips and Tools
10/9/2009 10:27:05 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, October 08, 2009
A Palette Within a Palette
Posted by Kelly
From the Magazine | Tips and Tools
10/8/2009 3:48:28 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, September 15, 2009
14 Alternative Spaces to Show Your Art
Posted by Kelly
When you're just starting out, galleries aren't exactly beating a path to your door. Here are some alternative places that might provide opportunities to exhibit your work.
- Corporate Offices
- Restaurants
- City Offices
- Other
venues: Churches, university galleries, libraries, upscale bookstores,
upscale hair salons, architecture firms, interior design firms, law
offices, convention centers, airports and private clubs.
 Ready for the next step? Read our tips for getting your foot in the gallery door in the October issue of Watercolor Artist, on sale now. From the Magazine | Tips and Tools
9/15/2009 1:14:55 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 28, 2009
Paint in a Series to Win a Prize
Posted by sarah
From the Magazine | Tips and Tools
8/28/2009 11:10:42 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 07, 2009
Free Friday Watercolor Demo
Posted by jessica
From the Magazine | Tips and Tools
8/7/2009 9:45:04 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, July 24, 2009
Saving Whites Is Kid's Stuff
Posted by Kelly
In the August 2009 issue, Cathy Johnson explored various ways to save the white of the paper with liquid and dry resists. Here are a few of my favorite tricks that you can try with materials you probably already have lying around the house—if not, just ask your kids or grandkids.  Regular crayons—yes, the kind you used as a kid—work perfectly well as resists. White will give the white-paper effect when painted over, as you see above, but you can also use any of the colored crayons for a more colorful effect. Caran d’Ache’s Neocolor I or other waxy, artist-quality crayons work beautifully, too.  To save whites, you can place a sheet of wax paper over your watercolor paper and draw firmly with a blunt burnishing tool. Enough wax is deposited in this process to make wonderful, fine white lines for grasses, twigs, leaf veins, the shine on hair or decorative elements. In this case, Cathy made lines that suggested the direction of hair masses.  Cathy used a white birthday candle as a resist for this quick sketch of a waterfall. See more of Cathy's tips in the August issue of Watercolor Artist, on newsstands now. And for even more from Cathy, check out her book, Creating Textures in Watercolor. From the Magazine | Tips and Tools
7/24/2009 3:28:34 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, July 10, 2009
Creativity Workshop Winners!
Posted by sarah
From the Magazine | Tips and Tools
7/10/2009 12:06:38 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 08, 2009
Turn Any Space Into a Studio
Posted by Kelly
In the August issue of Watercolor Artist, on newsstands now, we visited the studios of three top watercolor artists and brought back their best advice for how to convert nearly any space—from an unfinished room in the basement (like the one used by John Salminen) to a sunny room off the kitchen (like Donna Zagotta's) or a tidy second-floor loft (like Laurin McCracken's)—into a studio. Here's a sampling of their best advice: - Do begin with the basics. John Salminen believes must-have supplies depend on an individual’s painting process. His? A large, flat work surface.
- Do place a premium on storage. “The shortcoming of most peoples’ studios is inadequate storage,” says Salminen. Plan for more storage space than you think you’ll ever need, so you’ll have places for all the bulky items that come with painting—from framing supplies and framed paintings to shipping crates.
- Do think creatively about furniture. It doesn’t have to be made for an artist in order to work in the studio. Laurin McCracken uses a small kitchen island as a taboret and stores additional supplies behind him on a baker’s rack. Other ideas: TV stands, microwave carts, plastic storage drawers on wheels or small shelves.
- Don’t forget the water. Being near a water source makes it easier to get fresh, clean water for your containers, which McCracken says many of his workshop students don’t do often enough. He also recommends using warm water.
- Don't short shrift your work table. “It should be waist-high to facilitate watercolor painting,” says Donna Zagotta.
- Do be patient. “I believe that a perfect studio doesn’t happen overnight, but evolves over a number of years through experience, trial and error, and a constant examining of your ever-changing needs as an artist,” says Zagotta.
For more tips on setting up a studio, check out the special report "Inside the Artist's Studio" in the August 2009 issue of Watercolor Artist. From the Magazine | Tips and Tools
7/8/2009 2:36:13 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 01, 2009
Swipe File: Reader Tip for Transporting Paintings
Posted by sarah
 Watercolor Artist reader Bonnie E. Rodgers of Papillion, NE, shares her latest homespun solution for a common painting problem: "Carrying paintings around can be a challenge because of the possibility of the edges and surface becoming damaged. Pipe wrap can be used to protect any size of painting by cutting it to the length of each edge. This is a great way to package your paintings for shipping also. Simply cut the pipe wrap to the paintings size and slip on. (Note: the black version works best because it comes in sizes of 1/2-inch to 2-inch openings. The beige version shouldn't be used because it has an adhesive that will leave residue on the painting or glass. It's also more brittle than the black.) "Pipe wrap is also good for carrying brushes. It can be cut longer that the longest brush and then the brushes can be set comfortably in the center. To stop the brushes from slipping out, simply place a tissue or paper towel at the ends and secure it with a rubber band." Thanks Bonnie! To submit your creative solutions to those nagging painting problems, e-mail wcamag@fwmedia.com.
Tips and Tools
7/1/2009 8:33:54 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, June 18, 2009
Entering Art Competitions
Posted by jessica
With competition season in full swing, you might be facing a number of tough questions: Which paintings should I enter? How does the jurying process work? In our latest online seminar, Entering Art Competitions: Enhance Your Chance of Success, editors of our sister publications, Anne Hevener ( The Pastel Journal) and Maureen Bloomfield ( The Artist's Magazine), will tackle these questions and many more. Reserve your spot for the June 23 session now! Just for signing up for the seminar, you'll receive online access to a recording of the live session and a free digital download: "How to Photograph Your Work for Contests and Shows." Speaking of contests, the deadline for entry in our Watermedia Showcase is August 1. Online Seminars | Tips and Tools
6/18/2009 11:11:25 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, June 17, 2009
Choose the Right Surface for Your Watercolor Technique
Posted by Kelly
 Canadian artist Sandrine Pelissier creates rich mixed-media portraits bursting with life. In the August issue of Watercolor Artist she shares in-depth details about her process. Here's what she had to say about how she chooses which surface to use for a particular subject: “When choosing a subject, I ask myself what kind of paper and technique would help me best convey the effect I’m looking for,” says Pelissier. “Do I want the subtle, controlled effect afforded by layering on absorbent, Arches 300-lb. cold-pressed watercolor paper, or the brighter colors and texture that painting directly on Yupo paper offers? (Yupo is a non-absorbent, synthetic paper that allows paint to stay on the surface and dry by evaporation, making more or less predictable patterns in the process.) For results that fall somewhere in-between, I opt for watercolor board; and for paintings with a lot of texture, I work on wood panels or canvas.” For more painting tips from Sandrine Pelissier, check out her feature in the August 2009 issue of Watercolor Artist. From the Magazine | Tips and Tools
6/17/2009 3:05:37 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, June 08, 2009
 Tuesday, May 12, 2009
Meet Our Creativity Workshop Winners!
Posted by sarah
From the Magazine | Tips and Tools
5/12/2009 11:54:22 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, May 06, 2009
Swipe File: Tips from Watercolor Artist Readers
Posted by sarah
Over the years, we've amassed a vast collection of reader-submitted tricks of the trade, many of which we've published in our popular Swipe File column or on our website. We thought now would be the perfect time to re-introduce this department and invite readers to share their best timesaving, budget-friendly tips and techniques. Here's one of our favorites from Bonnie Rodgers, who saved herself a nice chunk of change with a bit of grit and ingenuity:  Recently, while preparing for a plein air journey, I searched for a journal of the right size for my art travel bag. I wanted one that had 140-lb., cold-pressed paper. Local stores only allowed me a 90-lb. version. So, I looked on the internet and found a journal maker, but she was having trouble finding the right glue to adhere to the heavier paper. I tried to make my own from leather, watercolor paper and binding thread, but due to my limited time and knowledge, I gave up on that idea. Then I came up with the solution: different-sized photo albumns that I could populate with watercolor paper, cut to the size of the albumns' sleeves or smaller. I found I could also extend the book size by adding larger spine pins to accommodate more sleeves. It worked wonderfully! I could paint on any size (as long as it was smaller than the paper I had brought with me). I could also collect tickets and memorabilia for future use and memory ticklers in the photo sleeves. On days when I needed to reduce the weight I was carrying, I could undo the spine screw pins and take pages out.  The best thing of all was that I saved myself about $125. Journals with enough pages, the proper paper weight, and the right-sized paper for sketching and journaling, with a sturdy binding that would hold up to rigorous use cost about $150 to $200, when available. Photo albums cost $7.50 to $15 and one sheet of 140-lb. watercolor paper costs $7.99. Each sheet of watercolor paper allowed me to cut several pages of 3x5-inch, 4x6-inch, and 6x8-inch journal pages for three different-sized journals. This idea will serve me well for all my plein air journeys. Thanks Bonnie!
Send a description of your method and a photo or JPEG (with a resolution of 300 dpi) illustrating a tip or technique to wcamag@fwmedia.com for your chance to see your bright ideas in print, on our site or in our e-newsletter. Who knows? Your idea might be just the thing that a fellow artist needs to find his or her way back to the easel. From the Magazine | Tips and Tools
5/6/2009 8:36:07 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 28, 2009
Take Better Reference Photos
Posted by sarah
 Watercolor artist Henry Dixon helps you start your painting composition
out on the right foot by sharing his best advice for taking good
reference photos. To download, click here: wc-dixon.pdf Save the PDF to your desktop and reference it whenever you like, print it out or e-mail it to a friend. For more great ideas from Henry Dixon, check out his book Paint Amazing Watercolors from Photographs. From the Magazine | Tips and Tools
4/28/2009 12:26:12 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, March 30, 2009
Free Step-by-Step Watercolor Download
Posted by sarah
 Learn how to capture the "bounce" of sunlight on surfaces step-by-step with our latest digital download, "Reflection of Sunlight," from esteemed watercolor artist Jeanne Dobie. Click here for your free copy. From the Magazine | Tips and Tools
3/30/2009 12:28:26 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, March 19, 2009
Download Art Instruction Right to Your Computer
Posted by Kelly
Thanks to recent developments in technology, we now have the luxury to choose how, when and where we receive information. Even if you're not a hard core techie, it would have been difficult to miss
the buzz generated by the release of the Kindle (now in it's second generation) and
other wireless reading devices that allow you to download books in just
seconds. Today, the Chinese website Shanda Literature, which serves about 90
percent of China's readership of online novels, boasts
25 million readers. Even if you're not ready to plunk down $359 for the new Kindle 2, you can satisfy your need for instant gratification and download your favorite art books and videos right to your computer. Check out these new digital watercolor products (from $8 to $19.99) from ArtistNetwork.TV and North Light Books.   Tips and Tools | Videos
3/19/2009 8:47:32 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, February 25, 2009
Sign Up for the Watercolor Artist E–Newsletter
Posted by Kelly
As promised, Watercolor Artist has launched its own newsletter! If you receive the Artists Network newsletters, you’ll still see items from the magazine there, but now you can also sign up to receive biweekly watermedia news and updates from Watercolor Artist in your in-box. Signing up is easy: Go to our website and type your e-mail address into the box at the top left corner and click GO. From the Magazine | Tips and Tools
2/25/2009 11:51:10 AM (Eastern Standard Time, UTC-05:00)
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 Wednesday, February 11, 2009
Watercolor Solutions in Your Home
Posted by sarah
Tips and Tools
2/11/2009 8:26:10 AM (Eastern Standard Time, UTC-05:00)
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 Saturday, January 31, 2009
Watercolor Artist 2008 Issues Available on CD
Posted by Kelly
 If you're like me, you've got all your favorite issues of the magazine piled up on a corner of your desk or  studio work table, with every good intention to sort through and catalog them—some day. Save yourself the time and work space, and get all six 2008 issues of the magazine on one handy CD. It's searchable by keyword, and you can take it with you on your laptop or print articles to use in your studio. Some of highlights include: • A year's worth of Watercolor Essentials: Learn how to create the illusion of depth, rich texture, and brilliant color in light and shadow. Plus, tips for painting skies and the figure. • Tips for Selling Your Art: Five professional artists share the details you'll need to get started today. • A User's Guide to Watercolor Paint: An artist and industry insider unscrambles the cryptic symbols and codes on paint tube labels and explains what they mean to you. • Plus, more than 400 pages of tips and inspiration from some of the most exciting watercolorists working today, including Jean Pederson, Jeanette Pasin Sloan, Paul Jackson, Eric Wiegardt, Donna Zagotta, Joseph Zbukvic, Stan Miller, Steve Stento, Henry Fukuhara, and many more! Click here for more details. From the Magazine | Tips and Tools
1/31/2009 2:49:58 PM (Eastern Standard Time, UTC-05:00)
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 Monday, January 26, 2009
Watercolor Societies: Get Connected
Posted by sarah
We've recently made a number of updates our Watercolor Societies page, which gives us cause to remind you of the important role these organizations play in supporting--and connecting--watercolor artists across the country and around the world. Here are a few highlights from just one of the societies we updated: The Kentucky Watercolor Society (KWS) (see below). We'll be back with more highlights later in the week. - Picturesque 2009 April - May, 2009
- KWS Summer Show, May, 2009, Kentucky Center for the Arts, Louisville
- KWS All Member Show, June-July, 2009, Mellwood Gallery, Mellwood Arts Center, open to all KWS members
- Aquaventure 2009-September, TBA
- Aqueous USA 2009, October, Actors Theater, Louisville, KY
- KWS New Member Show- KWS Gallery, Mellwood Arts Center
Note: Society officers and/or board members may notify Watercolor Artist by e-mail ( wcamag@fwpubs.com) of contact information updates. Send us your updates this week and you might just find your society's highlights on our blog. Overheard | Tips and Tools
1/26/2009 1:35:14 PM (Eastern Standard Time, UTC-05:00)
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 Wednesday, January 14, 2009
Two New Watermedia Videos Released from ArtistsNetwork.tv
Posted by jessica
Tips and Tools | Videos
1/14/2009 11:35:50 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, January 08, 2009
Free Download: Painting with Pure Colors
Posted by jessica
From the Magazine | Overheard | Tips and Tools
1/8/2009 2:11:24 PM (Eastern Standard Time, UTC-05:00)
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 Monday, December 08, 2008
Your Watermedia Collage Career
Posted by sarah
For those among us who have pondered bringing elements of collage into our watercolor paintings, but have been at a loss for how to get things started, the February issue of Watercolor Artist (on newsstands 12/23/08) is a must-have. In our Special Report, we take you inside the creative minds of six of the most dynamic watermedia collage artists working today, who reveal everything from where to find the most beautiful collage papers, to how best to affix papers to your paintings. Get tips from collagist Joyce Gabiou on our website now by clicking here.  From the Magazine | Tips and Tools
12/8/2008 8:55:14 AM (Eastern Standard Time, UTC-05:00)
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 Wednesday, October 01, 2008
New Jean Grastorf Videos on ArtistsNetwork.TV
Posted by jessica
We’re proud to announce two new workshops on ArtistsNetwork.TV featuring watercolor artist Jean Grastorf. As many of you know, Grastorf uses fresh approaches with watercolor. In her first workshop, she demonstrates her signature pouring technique: Without a brush, she masks areas that are to remain white, and then pours transparent watercolors on the surface. In the second workshop, she creates an abstract watercolor painting, demonstrating techniques such as creating texture, using wax resist, masking, and scraping paint with the edge of a credit card. Click below to see a preview of the videos.
You can also watch previews of the 10 other 40-plus minute videos to help you decide if you’d like to subscribe to an individual workshop ($14.99) for a six-month period with unlimited, 24/7 viewing access, or subscribe to all of them for a six-month period ($69.99) with unlimited, 24/7 viewing access. There’s no downloading required, and you can watch any time of the day as long as you have a high-speed Internet connection. From the Magazine | Tips and Tools | Videos
10/1/2008 12:17:29 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 11, 2008
Enter Your "Speedy Delivery" Paintings to Win $100
Posted by sarah
 Just a friendly reminder: The Creativity Workshop deadline is fast approaching for the August 2008 issue, in which Kathy Collins challenges readers to use a rapid painting process to achieve freshness and avoid overworking in their watercolors. Read an excerpt of the article here. And send your paintings to wcamag@fwpubs.com to win the $100 gift certificate to Jerry's Artarama by August 26, 2008. Recently, a reader wrote in about Collins' challenge: I enjoyed reading Kathy Collins' Creativity Workshop in the August 2008 issue and I'd like to try it; however, I'm not really clear on the composition step. How do you design it? What exactly is a cruciform shape and what are layers of color in varying sizes? Could we see some pictures of this first step? That would be so helpful. Sincerely, Trudie Kiliru.As it turns out, Collins loves reader mail and was happy to reply: In response to the reader’s questions, designing a composition is the first step toward a successful painting and I appreciate her interest in learning more. The composition forms the basic structure of a painting. As I noted in the Creativity Workshop, there are some simple designs that work well, so it’s not always necessary to invent a new composition every time you paint. The cruciform pattern (cross-shape) is one of these designs and layers of varying sizes is another.
By way of illustration, a page from my sketchbook shows the bare bones structure of two of my paintings. I designed the painting Field in Summer (above) with three
layers like a pile of pancakes: the sky, the purple mountains and the
yellow-green foreground. It’s important that each layer be a different
size and not exactly the same shape for variety. The sketch illustrates
the basic structure of that painting.
In Synchrony (at bottom) the mast of the boat and its reflection comprise a vertical line and the shoreline is the second (horizontal) line. This cruciform pattern is basically two lines that cross each other at a 90 degree angle and is usually designed so that the center of interest is at the place where the two lines intersect (preferably not in the center).
There are innumerable ways to compose a painting and I've named only a few, but I hope this explanation has been helpful and I congratulate the reader on her willingness to try the Creativity Workshop!
Best Regards,
Kathy Collins
From the Magazine | Tips and Tools
8/11/2008 9:59:58 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 16, 2008
Stephen Quiller: Color Theory for Watercolorists
Posted by jessica
One of the seven videos currently offered on ArtistsNetwork.tv—a new site from F+W Media that offers instructional (streaming) videos from today’s leading artists—features beloved artist Stephen Quiller on color theory for watercolorists. Click below to see a preview of the video.
You can also click here for previews of the other six 40-plus minute videos to help you decide if you’d like to subscribe to an individual workshop for a six-month period, or subscribe to all of them for a six-month period. You don’t have to download anything, and you can watch any time of the day as long as you have a high-speed Internet connection. Take note that more artists’ workshops are on the production lineup, including ones from watermedia artists Mark Willenbrink and Jean Grastorf, so visit often, and sign up to receive the e-mail newsletter for advance notice on new workshops. From the Magazine | Tips and Tools | Videos
7/16/2008 10:17:42 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, July 03, 2008
18 Places to Sell Your Art
Posted by jessica
 Looking to break into the professional art arena and make a living making your art? Michael Chesley Johnson explored the many facets of this subject in our June issue. Click here to download the free PDF and have the file right on your desktop. Happy Fourth! From the Magazine | Tips and Tools
7/3/2008 1:08:49 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, June 25, 2008
20 Tips for Framing Watercolors
Posted by jessica
 Inside the August issue of the magazine, you’ll find a special report on choosing the right framing materials. Many of you have already asked for more articles like this one, so with that in mind, we’ve added to our website a blast-from-the-past corresponding feature— 20 tips for framing watercolors by Jean Easter, of Easter Conservation Services. Learn how to “let your artistic voice sing” with great tips from a pro by clicking here. From the Magazine | Tips and Tools
6/25/2008 11:21:59 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 06, 2008
World Wide Watercolor Web
Posted by sarah
The number of instructional watercolor videos on YouTube is not small. Sifting through the pile for little gems has (of late) become a habit of mine. I like finding ordinary artists who are compelled by their simple desire to share what they know with other artists like themselves. If you're a beginner in the medium, looking for answers to basic questions like, "How do I stretch my watercolor paper?" check back in the with blog from time to time. I'll be posting helpful videos posted by artists just like you. This time, check out this watercolor tutorial posted by Bob Davies, "Stretching Watercolour Paper." He offers two approaches from start to finish in less than 10 minutes. And he seems so nice! Tips and Tools
5/6/2008 1:30:37 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, April 28, 2008
Win $100 in Art Supplies for Your Watercolor Painting
Posted by sarah
 Good news: we've extended our deadline! Now you have until May 10, 2008 to send us your Creativity Workshop Activity. In the April 2008 issue of Watercolor Artist, Nancy Collins
invites you to discover new creative territories: "Bring new energy to
your work by experimenting with a process or a surface. Select subjects
that mirror the qualities you’d like to explore with your choices. For
example, if you’d like to experiment with a burnishing process as I
did, select subjects that will be enhanced by a shining surface.
Learning through trial and error can be challenging and it can also
reap unexpected rewards. It’s all about finding what works for you—and
running with it," she says. Read a full summary of Collins' Creativity Workshop column here.
Send us your Creativity Workshop Activity for a chance to win a $100 gift certificate from Jerry’s Artarama. Send a JPEG image (with a resolution of 72 dpi) of your painting to wcamag@fwpubs.com or send a disc to Watercolor Artist, Creativity Workshop, Experiment Activity, 4700 E. Galbraith Road, Cincinnati OH 45236. The new extended deadline for entry is May 10, 2008. Interested in seeing what artists just like you have painted in response to previous Creativity Workshops? Go here and here. From the Magazine | Overheard | Tips and Tools
4/28/2008 2:37:25 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, April 14, 2008
Watercolor for Sale
Posted by sarah
 I must (first) confess a bit of an addiction: I love sifting through all of the beautiful handmade items on Esty. The amount of time I can spend doing this is not small, which is why I generally try to avoid the site altogether while I'm at work, but today I have an excuse! I just wanted to draw your attention to many watercolor artists who sell their work there. You'll find watercolors as inexpensive as $0.20, ranging all the way up to $10,000, and a lot of interesting work in between. You'll also find some nice cards, illustrations, watercolor-inspired jewelry and giclee prints. If you can get past the inexplicable preponderance of faerie art (my apologies to those among us who are devotees), you can find at least an hour's worth of items to peruse and perhaps you'll even find yourself at home enough to consider selling your wares there. If you're looking for advice on selling your work, check out the June issue of the magazine. We walk you through the in's and out's of choosing the best venues for selling your paintings with our special report, "Art for Sale." Maggie Latham, Robert Highsmith, Dwight Baird and Michael Chesley Johnson weigh in on art festivals, galleries and exhibitions and selling work online. Overheard | Tips and Tools
4/14/2008 11:35:04 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, March 19, 2008
Downloadable Watercolor Glossary
Posted by jessica
While perusing the Brooklyn Museum’s past exhibition (“Brushed With Light: American Landscape Watercolors from the Collection,” which included some of the works our staff recently viewed at the Taft Museum of Art) on its website, I came across the museum’s excellent multimedia highlights. Go to the site for an audio slideshow, behind-the-scenes notes and a downloadable PDF watercolor glossary (on the right-hand panel). Here's a preview of the document: Tips and Tools
3/19/2008 11:52:53 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, March 03, 2008
Site Seeing
Posted by sarah
 As you probably already know, Watercolor Artist has a new online home. The new site was many years in the making and it marks a new beginning for the magazine as a member of a team of online powerhouses. We've joined forces with The Pastel Journal and The Artist's Magazine to form an unmatched network of resources for artists. It's awesome, emphasis on the awe. No matter what you're looking for, we reckon we've got it, but it might take you a little time to get used to our navigation before you find it. But because we love you, we thought we'd slip you a few shortcuts to hot watercolor items on the new site: - Looking for a painting workshop near you? We've got 18 pages of listings here. If you're not sure what kind of workshop is for you, take our workshop personality quiz here.
- Have you heard about our online exclusive with Jeanette Pasin Sloan? Check it out here. You'll also find a popular wet-on-wet demonstration here.
- Itching to see your fellow artists' responses to Cathy Johnson's challenge to simplify, simplify? See a few of our favorites here.
- Feeling too tight as you paint? Learn how to get loose from Eric Wiegardt here.
- Ever wonder which brushes Birgit O'Connor has up her sleeve? We've got them here.
- Looking for friends on the watercolor front? Check out our listing of societies here.
- Are you a chatty Kathy? Talk it up here.
- If you're wondering where to find that one issue you lent to some seemingly trustworthy friend only to see it disappear forever, we've got the place for you here.
- And if there's something you'd like to see on the site, you can always write us here.
From the Magazine | Tips and Tools
3/3/2008 1:45:37 PM (Eastern Standard Time, UTC-05:00)
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 Thursday, February 28, 2008
Stephen Quiller Demo
Posted by jessica
 Yesterday our team had the pleasure of attending a demonstration by none other than Stephen Quiller, who was here in Cincinnati filming an upcoming e-workshop (more details to come soon). Artist M. Katherine Hurley, also on the e-workshop lineup, was kind enough to lend our film crew her studios in the Pendleton Art Center for the shooting location. Kelly, along with The Pastel Journal Editor Anne Hevener, sat in on the morning taping session for Quiller’s watercolor demo, and Sarah and I popped in late afternoon to catch him working on an acrylic landscape. How remarkable it was to be there watching his “juicy strokes” come to life, not to mention observing an artist who truly relishes the painting process, doing exactly what pleases him the most. As his inspiration for the acrylic painting (above) was the burst of color in an autumnal snowstorm—or, as he more eloquently put it, “the autumn color dancing into the painting”—he put emphasis on letting color become an important part of the work, and, above all, painting for one’s own joy. “Just have fun and enjoy the process,” he said. We certainly enjoyed being there. Another shot of the shoot Quiller's watercolor from the first demo
Overheard | Tips and Tools
2/28/2008 11:00:14 AM (Eastern Standard Time, UTC-05:00)
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 Wednesday, January 16, 2008
Send Us Your Creativity Workshop Entries
Posted by jessica
 In our February issue, Melissa Adkison shares how to bring creativity into our portraits—and challenges us to do so in our own work. If you haven't already sent us your work, there's still plenty of time to get cracking. The deadline is Feb. 20. Activity: Choose a subject that inspires you from a photo or from life. Decide what you want to say about this person, about yourself or life in general. What attracts you to this subject? Is it personal, or as simple as a red scarf? Use the answers to create a story with a theme.
Brainstorm different ways you could express your theme. Read, investigate and open your mind to the possibilities of expression. Remember that you are telling a story. Once you’ve organized your thoughts and ideas, you’re ready to plan and draw your composition. Think about color, value and contrast. Try painting with gouache, if you like. Let the painting tell you what it needs. You can easily add or take away elements with this medium. Have fun!Send a slide, photograph or a disc containing a digital image of your painting to Watercolor Artist, Creativity Workshop, Enlivened Portrait Activity, 4700 E. Galbraith Road, Cincinnati OH 45236. (Note: include a self-addressed, stamped envelope if you’d like us to return your submission.) We’ll publish a selection of entries on our website.
See the results from the October 2007 issue's Creativity Workshop here.
Pictured: Adkison's Rose Colored Glasses (gouache on paper, 36x25)
From the Magazine | Tips and Tools
1/16/2008 1:35:27 PM (Eastern Standard Time, UTC-05:00)
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 Wednesday, October 24, 2007
Watercolor Magic 2006 Issues on CD
Posted by jessica
 It happens all the time: You’re having trouble with a passage in your painting inspired by New England architecture, and you remember reading a particularly helpful Watercolor Magic article on painting details in buildings. Exactly when that was published, you haven’t a clue, and your stack of archives is as tall as your desk. Help is on the way. For reasons such as this, we’ve just put all of our 2006 issues on one CD—so now you can save both time and space, instantly accessing the entire year’s worth of articles and advice. Just pop the CD into your computer, click on the issue you want to open, and go directly to a specific article by clicking on the respective bookmark.  Other pluses: The articles are printable for your own reference or sharing with friends; websites are hot-linked, thus allowing you to click on them and go directly online; and a comprehensive subject index makes the content fully searchable. They’re available now at our online back issue store for $19.96. Click here for details. By the way, that column, “More Than Bricks and Mortar,” by Mark Willenbrink, ran in the April 2006 issue. From the Magazine | Tips and Tools
10/24/2007 10:15:09 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, September 26, 2007
Reader Tip
Posted by jessica
 Here’s a suggestion from one of our readers: “Most watercolorists occasionally have one painting that can’t be saved. When all else fails, including cropping, I make book markers. I start with very durable, 140- or 300-lb. paper, and use a paper cutter to save interesting vignettes here and there—cutting strips about 2 inches wide and an appropriate length. Corners can be rounded with scissors or a corner cutter found at a hobby shop, and a paper punch makes a hole at the top center for a ribbon.
"I write a quotation or message on the front or reverse side of the strip, or glue my business card on the back. These make very functional gifts, samples of my work, words to brighten someone’s day, free advertisement and a way to cause friends to think of me and my work each time they pick up a book—perhaps for years to come.” —Marcus Miller, Pleasant Hill, Ohio Bookmark and photo submitted by Marcus Miller. Tips and Tools
9/26/2007 3:58:47 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, September 05, 2007
Make Your Own Giclée Prints
Posted by jessica
  In addition to offering a free, downloadable lesson on working with Photoshop software, we’ve posted our October issue special report—Maggie Latham’s guide to creating your own giclée prints— here in its entirety. For those artists intimidated by technology, the artist insists that just a few years ago she couldn’t even send an e-mail. And today, a good portion of her earnings comes from the sale of her miniature prints, greeting cards and sometimes posters. Take Latham’s advice and revolutionize your own career. Maggie Latham, Evening Light (watercolor on paper, 11x14) From the Magazine | Tips and Tools
9/5/2007 3:42:51 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 17, 2007
A Free Lesson in Photoshop for Watercolor Artists
Posted by Sarah
   In the October issue of the magazine, we ran a feature on Myrna Wacknov, a watercolor portrait artist with an inventive take on color. In the feature, she explains how she uses Photoshop to help her arrive at the paintings she will eventually paint in a step-by-step guide. Now we've taken the feature a step further: We're offering the artist's guide to using Photoshop Elements in the studio on our website as a free download. Treat yourself to an inspired painting lesson this weekend and download the guide by clicking here. Who knows? You may just find your next painting in the process. ( Note: the paintings featured above also appear on Wacknov's website in her online gallery.) Tips and Tools
8/17/2007 2:54:22 PM (Eastern Daylight Time, UTC-04:00)
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