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 Monday, August 27, 2007
What Is Painting?
Posted by Sarah
Succulent Eggplants (synthetic polymer
paint on canvas, 74 3/4 x 96 1/2) by Beatriz Milhazes Gift of Agnes
Gund and Nina and Gordon Bunshaft Bequest Fund. © 2007 Beatriz MilhazesIf artist Julian Bell's answers in What Is Painting?: Representation and Modern Art (Thames and Hudson, 1999) don't satisfy your itch for painterly contemplation, perhaps the offerings at MoMA's current exhibitition What Is Painting? Contemporary Art from the Collection (July 7–September 17, 2007) will do the trick. Here's the word on the show:
It presents a selection of artworks
made since approximately 1965, including a number of recent
acquisitions and many works displayed for the first time since the
Museum's reopening. A variety of responses to the question "What is
painting?" are proposed in loose chronological sequence, ranging from
ironic to sincere; from figurative to abstract; and from an embrace and
creative reimagining of painting's possibilities to a critical
engagement with its limits.
Read a gamey interview with John Baldessari (whose painting inspired the title of the MoMA installation) here.
Overheard
8/27/2007 4:27:48 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 24, 2007
Sylvia Plath's Secret Passion
Posted by Kelly
Even as a kid I knew I’d end up involved in the arts in some way. I was as likely to spend an afternoon cutting up my mom’s Better Homes and Gardens and creating elaborate collages as writing skits my friends and I could perform for each other. But sometime around the fourth grade, my fate was sealed: I read Nancy Drew: The Hidden Staircase, and I knew writing great stories was what I wanted to do. Sadly, it turned out I could only serve one muse, and my collages fell by the wayside.
In The Writer’s Brush (due out next month), Donald Friedman reveals the secret drawings, paintings and sculpture of more than 200 famous writers who found themselves as comfortable at the easel as at the typewriter. Among the writer-artists’ works featured are Marcel Proust’s doodle of a jeune fille from his manuscript for In Search of Lost Time, the manuscript sketches that Fyodor Dostoevsky made of his characters, and Joseph Conrad’s racy pen-and-ink cancan dancers. On the cover of The Writer's Brush: Slyvia Plath's Two Women Reading (tempera).

An accompanying exhibition, curated by Friedman, runs from September 11 through October 27 at Anita Shapolsky Gallery in New York.
While I wait, I’m going to head over to Amazon and pre-order my copy of The Writer’s Brush. And, hey, I think I’ve got some collage materials around here somewhere…
Overheard
8/24/2007 5:59:11 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 23, 2007
A Festive Weekend
Posted by jessica
 Last weekend I had the pleasure of attending the Woodland Art Fair in Lexington, Kentucky. Saturday was the perfect day to take in such an event: The heat index was somewhere in the mid-80s, the sun was shining and even a slight breeze found its way throughout Woodland park—not what we’ve become accustomed to lately in the Midwest (and definitely not the same scenario as Sunday). Sponsored by the Lexington Art League and held each year the third weekend in August, the fair featured somewhere around 200 fine artists and craftsmen, live music, food vendors, a beer garden, children’s activities and more—on Sunday afternoon there were belly dancers accompanied by a drum circle.  Our editor Kelly Kane was also there, and when we ran into each other we discussed our delight in the watercolor artists’ booths we’d seen. A few that stood out were Arkansas artist Nik Chamberlain’s transparent horses, perfect for the horse-breeding city of Lexington; still lifes, florals and landscapes by Tupelo, Mississippi, artist Carolyn Watson; landscapes by Bruce Allan Neville, from right here in Cincinnati; and gouache and ink drawings by Phillip Jones, of Lexington.  What festivals have you attended this summer? Overheard
8/23/2007 9:49:04 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 17, 2007
A Free Lesson in Photoshop for Watercolor Artists
Posted by Sarah
   In the October issue of the magazine, we ran a feature on Myrna Wacknov, a watercolor portrait artist with an inventive take on color. In the feature, she explains how she uses Photoshop to help her arrive at the paintings she will eventually paint in a step-by-step guide. Now we've taken the feature a step further: We're offering the artist's guide to using Photoshop Elements in the studio on our website as a free download. Treat yourself to an inspired painting lesson this weekend and download the guide by clicking here. Who knows? You may just find your next painting in the process. ( Note: the paintings featured above also appear on Wacknov's website in her online gallery.) Tips and Tools
8/17/2007 2:54:22 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 15, 2007
Art on Your Card
Posted by jessica
If you’re one of the art enthusiasts who can afford to shop for gifts at Sotheby’s, they have two credit card options for you. Sotheby’s World Mastercard and Sotheby’s World Elite Mastercard—the latter of which is by invitation only—offers benefits like free admission to art museums, a subscription to its magazine Preview, invitations to private exhibitions, 24/7 concierge and travel consultation, business class upgrades on international air travel and more. The rewards include VIP passes to Fashion Week in New York, Los Angeles and Paris, private wine consultation with a Sotheby’s wine expert and other luxuries. Plus, the intriguing images on the cards themselves! We looked around and found another credit card with fine art designs through Discover (pictured here with Degas’ Four Ballerinas Resting Between Scenes). And, if you so desire, there are a couple of companies ( here and here) that allow you to design your own, whether it be a photo or your own artwork. Beautifying your credit card: Priceless. Overheard
8/15/2007 12:09:44 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 13, 2007
Lost van Gogh
Posted by sarah
Wild Vegetation, owned by the Vincent van Gogh museum (drawing of the painting discovered beneath Ravine by Vincent van Gogh)
In October of 1889, Vincent van Gogh's brother Theo was late in sending the artist his supplies, leaving him without any unused canvases. Van Gogh did what any impatient and impulsive artist would do: he painted over one of his already completed paintings. 118 years later, the lost painting beneath Ravine (now owned by the Museum of Fine Art, Boston) has been discovered.
Using x-ray technology and a close examination of the painting's surface, scholars at MFA Boston and the Van Gogh Museum, Amsterdam, were able to uncover Wild Vegetation, a painting van Gogh referenced more than once in drawings and in letters. According to the press release, the underlying composition was most likely painted in June 1889, during the early period of van Gogh’s stay at the asylum of Saint-Paul de Mausole near Saint-Rémy, and was re-used as a support for Ravine a few months later, in October 1889.
You can't see Wild Vegetation without an x-ray machine (and unusually extensive access to the museum's collection), of course. But you can see van Gogh’s pen-and-ink copy of Wild Vegetation (above) in Van Gogh’s Drawings: New Insights on view at the Van Gogh Museum through October 7, 2007. And Ravine (below)—the masterpiece that now covers the earlier painting—is on view in the MFA’s Impressionist Gallery. The images featured here are courtesy of MFA Boston's website, where you can get the whole story, if you're so inclined

Ravine, owned by MFA Boston X-ray of Ravine showing underpainting Overheard
8/13/2007 3:52:24 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, August 10, 2007
Gifts for Artists
Posted by Sarah
 It may be true that we're experiencing one of the worst heatwaves in recent history, but inside Watercolor Magic headquarters, it's just about time for the holidays. We've been rounding up gifts for our annual guide and testing/playing with them in the office. You'll have to wait for the December issue to see our picks for the year's best gifts for watercolor artists, but there's one item I can share with you now. I'd hoped to include it in the guide, but I wasn't able to get my hands on it quite early enough: the audiobook of
by Ross King, read by "master of accents" Tristan Layton.
Here's a little press on the book: A tale of many
artists, it revolves around the lives of two, described as “the two
poles of art”—Ernest Meissonier, the most famous and successful painter
of the 19th century, hailed for his precision and devotion to history;
and Edouard Manet, reviled in his time, who nonetheless heralded the
most radical change in the history of art since the Renaissance.
I decided to test the audiobook on my commute to and from work and found myself lingering a little too long in parking lots and driveways. If you're looking for a way into the stories of these artists' lives (and the politics of the time) that lands a little on the chatty and novelistic side, this is the gift for you. Consider using it on your trip to the beach rather than your commute, though. It is not a short story.
Audio Renaissance has the audio book available in an abridged (6 CDs, 7 hours) and unabriged (13 CDs, 16.5 hours) format.
Overheard
8/10/2007 2:27:02 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 08, 2007
J.M.W. Turner on Power of Art
Posted by jessica
 About two weeks ago I caught an episode of Simon Schama’s PBS series, Power of Art, featuring Joseph Mallord William Turner. As in the rest of the eight-part series, this episode focuses on one work. And what a work it is: Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) (1840; oil on canvas). Here, also as in the rest of the espisodes, Schama offers historical, cultural and artistic insight on that which he calls “the greatest British painting of the 19th century,” accompanied by re-enactments here and there. I’ll admit that before this hour-long special, I’d been most fond of Turner’s use of color, but Schama opened my eyes to the social consciousness and emotional force behind the master’s works. As Schama says, “For Turner, art was not a placebo. It needed to wreak havoc like the storm, to have the force of an avalanche or an inferno. Great painting, his painting, needed to risk disaster, the better to communicate it.” Sadly, the series is over; however, PBS has a fantastic website devoted to it—complete with interactive features that “explore the painting” and a map that shows which museums hold these major works—and Schama also wrote a book by the same name. To read more on Turner, click here.
8/8/2007 1:03:47 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 06, 2007
Edward Hopper: House Painter
Posted by Kelly
 An iconic image of big-city loneliness, Nighthawks is perhaps Edward Hopper’s best-known painting, but it was his cheerier The Mansard Roof that put him on the map. The light-filled watercolor depicts a real-life sea captain’s mansion that still stands in the Rocky Neck neighborhood of Gloucester, Massachusetts, where the artist painted a number of other prominent Victorian homes during his summers in the seaside city in the 1920s. You can find pictures of some of these homes and learn more about Gloucester's inspiration for Hopper in an interesting piece on npr.org. Then relatively unknown, Hopper got $100 for The Mansard Roof in 1923. Today, the watercolor is part of a retrospective show of Hopper’s work at the Museum of Fine Arts in Boston. The show only runs through August 19, so you’ll need to hurry to catch this rare exhibition of Hopper’s work, with nearly 100 of the artist’s most celebrated paintings, watercolors, and prints. To find out more about Hopper and his work The Mansard Roof, click here.
8/6/2007 10:16:36 AM (Eastern Daylight Time, UTC-04:00)
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Welcome!
Posted by Kelly
One of the frustrating things about editing a bi-monthly magazine is that we can’t be very fast on our feet. Because of our production schedule, so many interesting stories and events become old news by the time we can comment on them in print. Alas, that’s the beauty of a blog: the ability to share information fast!
We’ll be here several times a week sharing interesting news stories, as well as outtakes from our interviews with leading watercolorists and our take on hot topics in the art world at large. So join us!
To make sure you don’t miss out on any new blog entries, be sure to enter your e-mail address into the Free Updates box at the top left of your screen, and we’ll let you know anytime something new is posted.
8/6/2007 9:27:14 AM (Eastern Daylight Time, UTC-04:00)
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