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 Wednesday, November 07, 2007
North East Watercolor Society 2007 Exhibition
Posted by jessica
Congratulations to the North East Watercolor Society on another successful show; its 31st annual International Open Exhibition just closed Sunday at The Gallery at Kent Art Association (Kent, Connecticut). We’re pleased to be able to extend the exhibition, so to speak, and show the top five award winners here.
North East Watercolor Society Award for Excellence: Robert Steinmetz, Island Interface (watercolor, 37x28)
Martin J. Scully Memorial Award for Excellence in Transparent Watercolor: Katherine A. Cartwright, All Cracked Up III (watercolor, 26x32)
Richard Ochs Memorial Award: Natalie Smythe, Colorful Character (watercolor, 26x31)
Arne Lindmark Memorial Award: Ratindra Das, Algona Fog Lifting (watercolor, 28x36)
Friede Strobl Memorial Award: Mel Stabin, Amigos, Patzcuaro (watercolor, 30x38)
The juror for the 2007 exhibition was Lalit Masih, signature member of the American Watercolor Society (Dolphin Fellow), National Watercolor Society and the Northeast Watercolor Society. Mark your calendar now for next year’s exhibition, Oct. 23-Nov. 9, 2008. For a prospectus, go to www.northeastws.com. Overheard
11/7/2007 12:03:06 PM (Eastern Standard Time, UTC-05:00)
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 Monday, November 05, 2007
Chuck Close Encounters
Posted by Kelly
 I was surprised to learn recently that Chuck Close
suffers from prosopagnosia (otherwise known as face blindness) and has
difficulty recognizing or remembering faces. Yet, ironically, his
iconic in-your-face (pardon the pun) face paintings have been his claim
to fame for 40 years.
When Close first burst onto the art scene in the late ’60s with
billboard-sized black-and-white portraits, he redefined what
portraiture could be. His most recent work, painterly "prismatic grids," offers us
yet another take on the genre.
In the book Chuck Close: Work, Christopher Finch brings all of
Close's paintings together, as well as a selection of the artist's
prints and personal photographs. The images lose something in scale, of
course, but in terms of sheer volume (more than 300 illustrations) and
insight into the artist's work and personality, the collection is
awesome. I ordered my copy on Amazon.com. Close is also the inspiration for a new ballet, C to C (Close to Chuck),
which made its world premiere on October 27 at the American Ballet
Theatre in New York. The ballet includes music
composed by friend and frequent subject Philip Glass and backdrops designed by Close. NPR recently rebroadcast an interview with Close on its Fresh Air program. Take a listen here.
Reviews
11/5/2007 9:46:21 AM (Eastern Standard Time, UTC-05:00)
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 Wednesday, October 31, 2007
Joe Andoe’s Jubilee City
Posted by jessica
 Although it’s laced more with musings on dysfunctional family ties and hard-knocks upbringing than his emergence into the New York City art world, Joe Andoe’s memoir Jubilee City does edify on why one pursues art and vice versa. It reads how I imagine Dukes of Hazzard might’ve played out if Luke and Bo had gone to art school—in a good way. How Andoe, a Tulsa, Oklahoma, native arrived at art in the first place is odd. Where most artists come to it following a childhood dream, he admits it was because he discovered the teacher in his Tulsa Junior College art class sold his watercolors for $900 each—and he thought he could paint just as well as his teacher. However, 25 years later, his commitment to a career in visual art remains; Andoe’s works are in the collections of the Museum of Fine Arts in Boston and the Whitney Museum of Art in New York, among other venues, and his short stories have been published as well in journals Open City, Bomb and Bald Ego. Particularly interesting in Jubilee City: A Memoir at Full Speed are stories of the NYC gallery scene, crooked art dealers and pseudo-artists. Check out some of Andoe’s paintings and prints at www.joeandoe.com. Reviews
10/31/2007 10:15:24 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, October 29, 2007
Lost & Found: Inspiration
Posted by sarah
 If you're looking for artistic inspiration--or just a way of avoiding the (sometimes very hard) work of painting--you might consider Found Photos, if you haven't already.  Intrigued by the photos he found in a fileshare network, the site's creator Rich Vogel, began sifting through them and compiling archives of his favorite shots. Scrolling through his selections can get heady--it's a bit like watching the secret lives of others--but at the same time, it's a good lesson in how the ordinary can become extraordinary. Sometimes it's all a matter of context and sometimes it's the audience that makes the art. Join the Found Photos mailing list and recieve found images by e-mail here. I pulled the selections shown here from several different archives. I'd love to include about 110 more.  Overheard
10/29/2007 3:54:17 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, October 25, 2007
A Window: The Joseph Raffael Exhibition at the Nancy Hoffman Gallery in NYC
Posted by sarah
 In September of 2006, I began a conversation with artist Joseph Raffael
that was to become what I can only describe as an experience, and
certainly one of the best that I’ve had as an editor at the magazine.
It began simply enough—we talked about art and we talked about the
artist's life and we talked about his big beautiful paintings and the
big beautiful worlds happening inside them—but those early
conversations were to become the root of one of the most meaningful
features in the magazine, one that has reverberated in ways not even I
could have expected.
Our June 2007 issue created a stir among our readers, many of whom
wrote to us—and Raffael—of their admiration for his work. They told us
how inspired they felt and they sent us the paintings to prove it.
They said they wanted to see more, hear more, and be there when it
happened. And we promised to deliver:
With our first video exclusive, we take you inside the world of those
big beautiful paintings. Join us on a guided tour of the most recent
exhibition of Raffael’s work at the Nancy Hoffman Gallery in New York
City: Curator/gallery owner Nancy Hoffman offers special
insight into the show she describes as “a window to new artistic
terrain” and the artist opens his journals to reveal the painting
process that brought the work on display into fruition. Click here to enter.
Pictured above: Reflections (watercolor on paper, 56 1/4x86) by Joseph Raffael.
10/25/2007 2:29:56 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 24, 2007
Watercolor Magic 2006 Issues on CD
Posted by jessica
 It happens all the time: You’re having trouble with a passage in your painting inspired by New England architecture, and you remember reading a particularly helpful Watercolor Magic article on painting details in buildings. Exactly when that was published, you haven’t a clue, and your stack of archives is as tall as your desk. Help is on the way. For reasons such as this, we’ve just put all of our 2006 issues on one CD—so now you can save both time and space, instantly accessing the entire year’s worth of articles and advice. Just pop the CD into your computer, click on the issue you want to open, and go directly to a specific article by clicking on the respective bookmark.  Other pluses: The articles are printable for your own reference or sharing with friends; websites are hot-linked, thus allowing you to click on them and go directly online; and a comprehensive subject index makes the content fully searchable. They’re available now at our online back issue store for $19.96. Click here for details. By the way, that column, “More Than Bricks and Mortar,” by Mark Willenbrink, ran in the April 2006 issue. From the Magazine | Tips and Tools
10/24/2007 10:15:09 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 23, 2007
Host an Art Installation on Your Computer
Posted by Sarah
 The Holding Pattern Screensaver (available as a free download for Mac or PC), created by Los Angeles artist Cathy Davies, makes art that moves out of your computer's idle time: The Holding Pattern Screensaver turns
your idle computer screen into an airplane window, complete with a
moving aerial view. Every time the screensaver launches, it plays a
unique sequence of realistic, subtle animations. I've only tried and tested the Holding Pattern Screensaver (you can upgrade to a version that runs without the occasional "nag screen" for a small fee, by the way) but Davies offers several other free downloads on her site, which is a screensaver development project "founded on
the belief that screensavers are a hybrid form of cinema and
installation (pun intended)--a unique and underexploited medium."
Remember to adjust your screensaver preferences if you want to take "a relaxing meditative trip around the world," as Davies phrases it. If your timing is off and (like me) you're rarely idle, you may never get your window seat.
Overheard
10/23/2007 8:53:04 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 19, 2007
Joseph Raffael Exhibition
Posted by sarah
 Gallery owner/curator Nancy Hoffman tells us that it happens every now and again that she finds someone in tears in front of one of Joseph Raffael's paintings--they simply inspire that degree of awe. If you've ever wondered how you would do in front of one of Raffael's large-scale watercolors, you'll have your chance soon with the opening of a very special exhibition of Raffael's works at the Nancy Hoffman Gallery in NYC. The show runs from October 20 through November 28, 2007 and promises to be a once-in-a-lifetime event. The editors of Watercolor Magic have been cooking up something very special in conjunction with the exhibition for our readers. Check back next week to find out what we've been up to for the past few weeks. Renascence 2007 (watercolor on paper, 63x44.5) by Joseph Raffael Overheard
10/19/2007 4:26:12 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 17, 2007
Painting with Dancing With the Stars’ Jane Seymour
Posted by jessica
 Actor, author, artist and dancer with the stars Jane Seymour is now bringing her love of watercolor to the public, with the help of art materials manufacturer Savoir-Faire. The two art sets, Paint With Jane: Watercolor Starter Kit and Paint With Jane: Drawing Starter Kit include the painting/drawing basics, plus an instructional DVD and pre-printed cards of Seymour’s drawings. Both are $39.95 and, according to Savoir-Faire, are available at art supply retailers starting this month. As Seymour says on her website, she feels that “watercolor is closer to the artist's hand and heart than any other medium.” How can we not agree? Overheard
10/17/2007 10:18:51 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, October 15, 2007
Get Inspired AND See Your Creativity Workshop Activity in Watercolor Magic
Posted by sarah
 We debuted our new Creativity Workshop column a few months ago with a challenge from Nita Leland and since then we've been watching our mailbox for news from our readers. We've already published four paintings inspired by the first installation of the column on our website. And now we're sifting through the submissions inspired by Cathy Johnson's Creativity Workshop Activity (appearing in the December issue of the magazine). If you haven't already sent us your work, there's still plenty of time to get cracking. The deadline is December 20, 2007. Johnson challenges us to simplify, simplify with her activity: Use Color as a ToolOne way to simplify your work is to let color do it for you. Just because your subject may contain all the colors of the rainbow in a dozen different variations, doesn’t mean you have to paint it that way. Decide which colors dominate the scene, and eliminate most of the others. Let color give your work punch; let it create a mood, whether festive or serene. Be creative with color and choose those that expresses your mood. Just remember to keep it simple. Choose a monochromatic color scheme, with tints and shades (lights and darks) of a single color; try an analogous color, with colors that are next to one another on the color wheel; or use the complements by letting them vibrate against one another, or by muting them through mixing. Send
a slide, photograph or a disc containing a digital image of your
painting to Watercolor Magic, Creativity Workshop, Simplification
Activity, 4700 E. Galbraith Road, Cincinnati OH 45236. (Note: include a
self-addressed, stamped envelope if you’d like us to return your
submission.)
Cathy Johnson's Missouri Landscape, Fall is pictured above.
From the Magazine
10/15/2007 9:41:45 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 12, 2007
Steve Mumford Sketches the War in Iraq
Posted by Kelly
 New York artist Steve Mumford originally went to Baghdad in 2003, making four trips in all during that year and the next. Embedded with the U.S. military, he kept a journal and made countless drawings and watercolors of what he saw there. In early 2007 he returned to Iraq, where he worked at an army hospital for approximately a month. During his stay, he documented the heroic efforts of the doctors, nurses and medics to save lives, both U.S. and Iraqi. "The scenes from the 28 CSH [the 28th Combat Support Hospital] are some of the most moving I've experienced and tried to draw from all my trips to Iraq," says Mumford. "The deaths leave a deep impression, yet it's the soldiers who survive, and the staff who keep these lives from slipping away, that define the day-to-day experience here. But I feel that beneath the cheer in their sharp, young faces is a lingering sadness, an understanding that the scars of the survivors can never be erased. The scars of the hospital staff aren't visible but occasionally the hurt contributes, in their daily actions, to something like a state of grace." We were pleased to bring you Mumford's story of his first four trips to Iraq in our August issue. You can see his latest drawings and journal entries from the war zone on artnet.com. Image from artnet.com. From the Magazine | Overheard
10/12/2007 11:09:30 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 10, 2007
Into the Mind of van Gogh
Posted by jessica
 Sure, reading letters intended for someone other than oneself is voyeuristic, but when the letters are written by an artist legend, delving into them becomes a lesson in art history and criticism. " Painted With Words: Vincent van Gogh's Letters to Émile Bernard," on view at the Morgan Library & Museum in New York City (through January 6), provides such an opportunity. The exhibition, which also has an accompanying book, features van Gogh’s notes, criticism and sketches to fellow artist Bernard between 1887 and 1889—during the time van Gogh was living in Arles and St. Rémy, in Provence—plus more than 20 watercolors, drawings and paintings by the two that reflect their shared ideas. Incidentally, it was during this period that van Gogh unlocked his artistic potential, according to the Morgan Library. For an online preview, check out the Morgan Library’s presentation of a few of the letters, with translation capabilities. Image from www.morganlibrary.org. Overheard
10/10/2007 10:54:44 AM (Eastern Daylight Time, UTC-04:00)
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