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 Monday, April 07, 2008
Highsmith's Trains and Bison
Posted by sarah

TrainAtAntonito22x30.jpgWe love to hear from our featured artists that they're doing well (which, according to most artists' internal barometers, means that they're painting like crazy and loving it) and so it's with particular satisfaction that we get to share this kind of news with you:

If you've read the February 2007 issue of the magazine (one of my favorite covers, by the way) you've seen Robert Highsmith's fine southwest- and South Carolina-inspired watercolor landscapes. Now Highsmith is exploring two new dual interests: trains and bison. Marigold Arts has announced a solo show, Robert Highsmith: Into the West (June 6th through July 9th), featuring paintings done at Chama, one of New Mexico’s most scenic venues, and at Ted Turner's ranch near Santa Fe. Sounds tantalizing, eh? From the press release:

Highsmith’s paintings make strong, simple statements that capture the light and landscapes of the Southwest, evincing equal parts technical virtuosity and heart. He paints primarily landscapes, occasionally focusing on a cow or architectural structure. Highsmith’s paintings reveal a softness of light, shadow, and brush that can only be accomplished with the immediacy of watercolor, complimented by the stark contrasts that lend the work its photorealism.  

If this doesn't satisfy your craving for Highsmith's work, pick up the June issue of the magazine (on newsstands April 22, 2008). Highsmith is one of several artists who share their experiences in a Special Report on the fine art of selling your own fine art.

Train at Antonio (watercolor on paper, 22x30) by Robert Highsmith



From the Magazine | Overheard
4/7/2008 9:17:21 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, April 04, 2008
Sneak Peek at Zbukvic's Sketchbook
Posted by Kelly

horses.jpgOur June cover artist, Joseph Zbukvic, allowed us rare access to one of his precious sketchbooks. Filled with lively figure studies, dynamic trackside sketches of racehorses, and enlightening notes to self, the artist's sketchbook reveals a little of the magic behind the scenes of his beautiful paintings. We featured as many sketches as space allowed in the magazine, but couldn't bare to let this treasure go without recording a few more gems for you.

Of course, nothing can replace the visceral experience of flipping through an artist's sketchbook pages, lingering over the notes in the margins, and running your fingers along the edge of a particularly masterful line, but this video presentation may be the next best thing. Enjoy!

heads.jpg

Look for Zbukvic's cover story in the June 2008 issue, on newsstands April 22.


From the Magazine | Videos
4/4/2008 1:03:06 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, April 02, 2008
Rosy Watercolor Illustration
Posted by sarah

Green2-th.jpgI was admiring some lovely watercolor illustrations in the last issue of Harper's magazine and thinking about watercolor illustration today when I came upon this nice little site (A Petal from the Rose) devoted to Elizabeth Shippen Green, one of yesterday's most brilliant talents in the field. On the site, you'll find an extensive biography of the artist, ruminations on themes such as gardens, darkness and youth in her work, and (most importantly) a treasure trove of bright images from the Library of Congress. There's even a link to the Library's site, where you can order prints from the originals. Green is pictured here in her studio at the Red Rose Inn, where she lived with fellow artists and lifelong friends Jessie Willcox Smith and Violet Oakley.

 




4/2/2008 9:23:06 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, March 31, 2008
American Watercolor Society 2008 Exhibition
Posted by jessica

AWS_Mehaffey.jpgThe American Watercolor Society presents its 141st annual international exhibition tomorrow through April 27 at the Salamagundi Club (47 Fifth Ave., New York City), with an opening reception from 6 to 8 p.m. tomorrow.

Congratulations to this year’s top award winners:
AWS GOLD MEDAL OF HONOR
Sheryl Luxenburg
Impermanence


AWS SILVER MEDAL OF HONOR
Mark E. Mehaffey, AWS
Blue Monolith (pictured)

AWS BRONZE MEDAL OF HONOR
Oscar R. Dizon
Late Summer at Zhouz Huang 2006

ALDEN BRYAN MEMORIAL MEDAL
Alan Wylie, AWS
Spaghetti Junction

Click here to see the many other artists recognized in this year’s exhibition (prizes totaled $44,750). Details on demonstrations and the 2008-09 exhibition tour can also be found on the AWS site.


UPDATE (9/23/08): Click here for an update from the AWS.



From the Magazine | Overheard
3/31/2008 12:19:22 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [13]
 Wednesday, March 26, 2008
National Women's History Month Celebration
Posted by jessica

poster_web.jpgAs featured in the April issue of Watercolor Artist, this year’s National Women’s History Month (March) honors “Women’s Art, Women’s Vision.” The following 2008 honorees will be celebrated in New York City this weekend for a culminating series of events (click here for the schedule):

Judy Chicago (1939- ), painter/printmaker/needleworker
Harmony Hammond (1954- ), painter
Edna Hibel (1917- ), colorist
Lihua Lei (1966- ), multimedia installation artist
Cecilia Rose O’Neill (1874-1944), painter/illustrator/sculptor
Violet Oakley (1874-1961), muralist/stained glass artist
Jaune Quick-to-See-Smith (1940- ), abstract painter/lithographer
Faith Ringgold (1934- ), painter/quilter
Miriam Shapiro (1923- ), printmaker/painter
Lorna Simpson (1960- ), photographer
Nancy Spero (1926- ), painter
June Claire Wayne (1918- ), painter/lithographer

Also this weekend (March 29), The Fund for Women Artists launches the first Support Women Artists Now Day, or “SWAN Day,” a solidarity movement scheduled for the last Saturday of Women’s History Month. Find out how to get involved by clicking here.


From the Magazine
3/26/2008 12:07:20 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, March 24, 2008
Where's the Art?
Posted by sarah

images12345.jpegAccording to The Wall Street Journal, collectors are betting the next hot art hub will be in Cuba. As evidence of this phenomenon, the Journal sites Mario Carreño's modernist painting Danza Afro-Cubana, which sold for $2.6 million, breaking Sotheby's auction record for a Cuban work. For those concerned about the fact that it's illegal for Americans to travel to Cuba to buy art, there's this exciting little legal loophole: "Collectors are taking advantage of a little-known exception to the U.S. trade embargo with Cuba: It is legal for Americans to buy Cuban art. Unlike cigars or rum, which are considered commercial products, the U.S. government classifies Cuban artworks as cultural assets, and Americans can bring them into the U.S."

According to Der Spiegel, the desert metropolis Dubai has reinvented itself as the center of the art world. As evidence, the magazine sites Art Dubai, which runs from March 19th to 22nd: Art Dubai "spans over two massive grand halls (over 2000 square meters), across a sprawling outside palm-shaded pavilion, and into an underground garage, which has been dubbed the 'Art Park.' All of this was created in the past several weeks at the perfectly manicured Madinat Jumeirah Resort, located on the Gulf coast across from the Palm Jumeirah, the largest manmade island in the world." See a photo gallery of the show here.

If you're looking for an art experience a little closer to home, think about visiting Pennsylvania's  Laurel Highlands, where it's possible to visit three Frank Lloyd Wright homes within a 30 mile radius. They call it the Wright trifecta. Read one writer's description of the experience in The Washington Post.



Overheard
3/24/2008 11:13:52 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, March 19, 2008
Downloadable Watercolor Glossary
Posted by jessica

While perusing the Brooklyn Museum’s past exhibition (“Brushed With Light: American Landscape Watercolors from the Collection,” which included some of the works our staff recently viewed at the Taft Museum of Art) on its website, I came across the museum’s excellent multimedia highlights. Go to the site for an audio slideshow, behind-the-scenes notes and a downloadable PDF watercolor glossary (on the right-hand panel). Here's a preview of the document:

wcglossary.jpg




Tips and Tools
3/19/2008 11:52:53 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [2]
 Monday, March 17, 2008
Press Release Roundup
Posted by sarah

We often recieve news from museums and galleries that doesn't quite fit with our scheduled content, but is still interesting nonetheless. Rather than let it languish in our inbox, I thought I'd pull together a roundup of some of the most compelling tidbits. Enjoy!

clip_image001.jpgArizona artist, Diana Madaras, is working on a project that began with a casual meeting with a South African gentleman, who then sent her to Africa on safari. In exchange, she's creating a series of wildlife paintings. The African Sojourn show will feature watercolor, acrylic and oil paintings, and will kick off with a reception, May 18th. 100% of the proceeds from the show will benefit animals in Arizona and Africa. For more information visit Madaras Gallery online.

Why paint or draw the landscape when a click of the camera can capture any view orSpringThawOil24x36.jpg moment? David Inshaw and Bridget Macdonald provide the answer in their first joint exhibition of recent paintings and drawings at the Chapel Row Gallery from April 5th-22nd.

Natural Beauty is a solo exhibition of more than 50 new paintings by James McGrew. The show will include plein air and studio works depicting the beauty of the west, primarily landscapes of Mt. Hood, Columbia River Gorge, Yosemite, The Grand Canyon, Oregon Coast, and Mt. St. Helens. At the Lawrence Gallery, from April 1st-30th.

Picture.jpg
The directors of Marlborough Fine Art are delighted to announce the first UK exhibition of paintings by celebrated Chinese artist, Zhang Qikai. It will comprise twenty recent works, many using the image of the Panda, paintings for which he has been highly praised. Born in Sichuan Province in 1950, Qikai has shown extensively in China and Japan and in Germany, where he lived in the 1990s. The apparent loneliness of living in a foreign land and a deep understanding of the differences between east and west are ever present in his work. From May 29th-June 21st.

 
If you'd like Watercolor Artist to share news of your upcoming exhibition or opening, e-mail us.

 
 




Overheard
3/17/2008 12:20:54 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, March 14, 2008
Milford Zornes Video Tribute
Posted by Kelly

The loss of American watercolor icon, Milford Zornes (1908-2008), has touched artists across the country. To honor this amazing painter and his work, Watercolor Artist managing editor Sarah A. Strickley put together this video tribute.


Videos
3/14/2008 3:09:03 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Thursday, March 13, 2008
North Carolina Watercolors
Posted by jessica

GreensboroBook.jpgNorth Carolina watercolor artist William Magnum is releasing his fifth book, “Greensboro Roots and Renaissance,” in honor of his hometown’s bicentennial. The book features 100 watercolors that showcase the community—businesses, neighborhoods, parks, theaters and historical landmarks—along with Magnum’s own musings and memories of the town.

In conjunction with the celebration, he’ll sign books at the Bicentennial Opening Ceremony (6 p.m. March 28) at the NewBridge Bank Park, and 1-4 p.m. March 29 at his gallery. Find more signings and appearances on his website.



Overheard
3/13/2008 11:28:23 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, March 10, 2008
Extra Extra: Watercolor Open
Posted by sarah




Your source for watercolor news and views, the Watercolor Artist blog is the place to find updates on this year's juried exhibitions:

The Northwest Watercolor Society (NWWS) has announced its Annual National Open Exhibition, to take place April 1st through 29th, at Northwest Gallery & Craft Center, in the Seattle Center, Seattle, WA. Painters in water media including watercolor, acrylic, gouache, and egg tempera were eligible to enter. The exhibition has grown in size and reputation with awards totaling over $10,000 since it’s inception in 1940. Pat Dews will teach a 5 day workshop and the reception and awards ceremony will be held April 25th. For more information, please visit the society's website.

Thanks to Linda for the skinny. If you'd like to share your society's news, please write us at wcamag@fwpubs.com.


Overheard
3/10/2008 8:43:31 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, March 07, 2008
Watercolor Masterpieces from the Brooklyn Museum
Posted by jessica


Maurice Brazil Prendergast, Sunday on the Beach (about 1896-98; watercolor on cream, moderately thick, moderately tuxtured wove paper). Brooklyn Museum

When we received word several months ago that the Taft Museum of Art’s exhibition lineup would include From Winslow Homer to Edward Hopper: American Watercolor Masterpieces from the Brooklyn Museum (which we featured in our February issue: "Where It's At"), we knew we would be taking a field trip. We did so on Wednesday, and I can think of no better way to recharge our editorial batteries for the remainder of the week.

The recently opened exhibition features 70 stellar watercolors from the Brooklyn Museum’s collection, chronicling the rise of the medium in America and shifts in technique over the years. The Brooklyn Museum was the first American art museum to start collecting watercolors, so it only makes sense that all of the greats are included, and several works from some—Eakins, Sargent, Hassam, Prendergast, Marin, Marsh (and, naturally, Homer and Hopper). Going through the exhibition, you're able to see these artists progressively finding and tuning their creative voices.

Personal highlights: The first piece that caught my attention as I turned the corner and walked into the second gallery was none other than Sargent's breathtaking In a Levantine Port, which bears a striking resemblance to his White Boats (that ran in our December issue's "Studio Staples" column). In the section on Modernism, I overheard a woman behind me say to her female friend who was pushing her wheelchair over to Prendergast’s Sunday on the Beach: “That’s a Prendergast, I just know it!” How refreshing to see firsthand a public thirst for water(color). Thanks to the Taft—and Brooklyn Museum—for quenching ours.


From the Magazine | Reviews
3/7/2008 11:55:01 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0]