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 Monday, August 11, 2008
Enter Your "Speedy Delivery" Paintings to Win $100
Posted by sarah
 Just a friendly reminder: The Creativity Workshop deadline is fast approaching for the August 2008 issue, in which Kathy Collins challenges readers to use a rapid painting process to achieve freshness and avoid overworking in their watercolors. Read an excerpt of the article here. And send your paintings to wcamag@fwpubs.com to win the $100 gift certificate to Jerry's Artarama by August 26, 2008. Recently, a reader wrote in about Collins' challenge: I enjoyed reading Kathy Collins' Creativity Workshop in the August 2008 issue and I'd like to try it; however, I'm not really clear on the composition step. How do you design it? What exactly is a cruciform shape and what are layers of color in varying sizes? Could we see some pictures of this first step? That would be so helpful. Sincerely, Trudie Kiliru.As it turns out, Collins loves reader mail and was happy to reply: In response to the reader’s questions, designing a composition is the first step toward a successful painting and I appreciate her interest in learning more. The composition forms the basic structure of a painting. As I noted in the Creativity Workshop, there are some simple designs that work well, so it’s not always necessary to invent a new composition every time you paint. The cruciform pattern (cross-shape) is one of these designs and layers of varying sizes is another.
By way of illustration, a page from my sketchbook shows the bare bones structure of two of my paintings. I designed the painting Field in Summer (above) with three
layers like a pile of pancakes: the sky, the purple mountains and the
yellow-green foreground. It’s important that each layer be a different
size and not exactly the same shape for variety. The sketch illustrates
the basic structure of that painting.
In Synchrony (at bottom) the mast of the boat and its reflection comprise a vertical line and the shoreline is the second (horizontal) line. This cruciform pattern is basically two lines that cross each other at a 90 degree angle and is usually designed so that the center of interest is at the place where the two lines intersect (preferably not in the center).
There are innumerable ways to compose a painting and I've named only a few, but I hope this explanation has been helpful and I congratulate the reader on her willingness to try the Creativity Workshop!
Best Regards,
Kathy Collins
From the Magazine | Tips and Tools
8/11/2008 9:59:58 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 06, 2008
Science + Art = New van Gogh Painting
Posted by jessica
 A new Vincent van Gogh painting has been discovered—underneath another van Gogh painting. Patch of Grass, the artist’s 1887 landscape that was painted over the hidden portrait of a woman is housed at the Kroller-Muller Museum in the city of Otterlo, Netherlands, according to NPR. Van Gogh recycled his own canvases, as do many artists, which made the portrait visible through x-ray technology. The portrait was discovered by scientists at the University of Antwerp in Belgium and Delft University of Technology in the Netherlands. Check out the NPR story to watch a video that takes you inside the x-ray process. Overheard
8/6/2008 11:27:16 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 04, 2008
Struggling with your painting? Get some sleep!
Posted by sarah
 Despite the somewhat tempting impulse to stay up all night, working out your painting's compositional dissonance, recent studies suggest that that better choice might be to sleep on it. Scientific American has published "Sleep on It: How Snoozing Makes You Smarter," which argues that our minds are hard at work while we're snoaring away: "While we sleep, our brain is anything but inactive. It is now clear
that sleep can consolidate memories by enhancing and stabilizing them
and by finding patterns within studied material even when we do not
know that patterns might be there. It is also obvious that skimping on
sleep stymies these crucial cognitive processes: some aspects of memory
consolidation only happen with more than six hours of sleep. Miss a
night, and the day’s memories might be compromised—an unsettling
thought in our fast-paced, sleep-deprived society."
I'd be surprised if you could find a better excuse for taking a nap on a Monday afternoon. I know I could use one. Overheard
8/4/2008 12:31:13 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, July 31, 2008
Milford Zornes 100th Birthday Celebration Demo on DVD
Posted by jessica
 Most of you are aware of Milford Zornes’ 100th birthday celebration at the Pasadena Museum of California Art in late January, almost one month before his passing. There at the museum, the artist gave a full sheet, full color watercolor demonstration, and donated the proceeds from the auctioned-off finished painting back to the museum. According to the National Watercolor Society (NWS) newsletter, Zornes’ last gift to the society was permission to offer a DVD of that demonstration (with proceeds benefiting the NWS Building Fund). The DVD is now available, and it also features many of the artist’s paintings. If you'd like a copy of the DVD, send a $20 donation payable to: The National Watercolor Society, c/o Chris Van Winkle, 436 Fresno Ave., Morro Bay, CA 93442. Overheard | Videos
7/31/2008 9:29:33 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, July 28, 2008
Blues on Monday
Posted by sarah
View a gallery paintings from Picasso's blue period (those he painted between 1900 and 1904), tastefully accompanied by Spanish strings. Something about the sky made me think of them this morning and I had a feeling I'd find something appropriate on You Tube. Incidentally, one of Picasso's most famous paintings from this period, Portrait of Suzanne Bloch, went for a little ride last year when it was stolen from the São Paulo Museum of Art. It was recovered in January of 2008.
Overheard
7/28/2008 8:26:35 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, July 24, 2008
Watercolor Artist Editors on the Move
Posted by sarah
 I thought I'd continue on Jessica's travel theme today and mention my recent trip to San Francisco's de Young museum in Golden Gate Park, which is amazing both outside and in. I was disappointed to find that the Chihuly exhibition was sold out when I arrived (big sigh), but there was plenty to see, including Timothy Horn's Bitter Suite, a good deal of which is made out of sugar. Jane Hammond's large scale works on paper were also a treat. The number of American paintings in the de Young's collection is not small and I got to see a painting I'd long desired to see in person: John Singer Sargent's A Dinner Table at Night. In short, no matter what's going on a the de Young, there's always enough happening to fill an afternoon, if not an evening too. Overheard
7/24/2008 8:23:05 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 23, 2008
Watercolors in Nashville
Posted by jessica
 Last weekend, while in Nashville, Tennessee (look for the town in the upcoming "Where It's At" column in the October issue), I had the opportunity to visit the Cheekwood Botanical Garden & Museum of Art—a truly fantastic place for both lush gardens and top-notch art. What surprised me about the attraction wasn’t the 1932 mansion or its 100 acres of land, but rather what hung on the walls around us. We got to catch “A Century on Paper,” prints, drawings and watercolors from the museum’s collection by renowned and lesser-known artists—some of which haven’t been exhibited in 20 years. And as for the well-known artists, think John Marin, Thomas Hart Benton, Georgia O’Keeffe, Robert Rauschenberg. Below are some photos (of the gardens), but I definitely recommend seeing it for yourself if you’re going to be in the Nashville area before Sept. 21. From the Magazine | Overheard | Reviews
7/23/2008 5:01:49 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 16, 2008
Stephen Quiller: Color Theory for Watercolorists
Posted by jessica
One of the seven videos currently offered on ArtistsNetwork.tv—a new site from F+W Media that offers instructional (streaming) videos from today’s leading artists—features beloved artist Stephen Quiller on color theory for watercolorists. Click below to see a preview of the video.
You can also click here for previews of the other six 40-plus minute videos to help you decide if you’d like to subscribe to an individual workshop for a six-month period, or subscribe to all of them for a six-month period. You don’t have to download anything, and you can watch any time of the day as long as you have a high-speed Internet connection. Take note that more artists’ workshops are on the production lineup, including ones from watermedia artists Mark Willenbrink and Jean Grastorf, so visit often, and sign up to receive the e-mail newsletter for advance notice on new workshops. From the Magazine | Tips and Tools | Videos
7/16/2008 10:17:42 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 09, 2008
August Creativity Workshop
Posted by sarah
From the Magazine
7/9/2008 10:52:43 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, July 07, 2008
Nita Leland Blogs
Posted by sarah
 While strolling around the web today, I noticed that Nita Leland is blogging. In addition to authoring several popular art-instruction books for North Light, she's also contributed a number of articles to the magazine. In fact, we debuted our Creativity Workshop column with an exerpt from Leland's The New Creative Artist: A Guide to Developing Your Creative Spirit. With the recent success of the column (the entries for the June installment of the column positively flooded our inbox), it strikes me as fitting to take a look back at the column's genesis. So, let's take a look at what Leland is doing these days: She's got a new book in the works ( check out her pre-pub offer) and she's taking a look at what her readers are doing with her Photoshopping tips. Visit her archives for some insightful ramblings on gouache. From the Magazine | Overheard
7/7/2008 9:14:33 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, July 03, 2008
18 Places to Sell Your Art
Posted by jessica
 Looking to break into the professional art arena and make a living making your art? Michael Chesley Johnson explored the many facets of this subject in our June issue. Click here to download the free PDF and have the file right on your desktop. Happy Fourth! From the Magazine | Tips and Tools
7/3/2008 1:08:49 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, June 30, 2008
Announcing This Year's Splash Theme
Posted by sarah
 It's not too early to begin work on your entry to this year's Splash competition for the chance to see your painting in a beautiful hardbound showcase of the best contemporary watercolors. F+W Publications and North Light Books have announced this year's theme: new directions. If you win, you'll be asked to explain (in writing) how your work represents a new direction you've taken in your artistic life. Have you changed your painting style or experimented with a new surface or tool? Have you made a personal breakthrough or taken advice from another painter? Consider entering your work by the January 16, 2009 deadline. The editors are looking for paintings in a variety of styles, but the dominant medium must be transparent watercolor. Download guidelines and an offical entry form by clicking on the link below. Splash 11 entry form.pdf (138.28 KB)If you're new to the Splash series, think about picking up Splash 10: Passionate Brushstrokes. It's always a good idea to know your competition. (Note: the new Splash website will debut soon!) Overheard
6/30/2008 10:09:50 AM (Eastern Daylight Time, UTC-04:00)
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