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 Friday, September 26, 2008
1 Day Left: Romare Bearden Show
Posted by jessica
 A show our Manhattan readers won’t want to miss is Romare Bearden: City Lights at DC Moore Gallery—and if they don’t see it by tomorrow, they will miss it (it closes Sept. 27). The artist is fresh in our minds as well; he was featured in our “Meet the Masters” column in the August issue of the magazine. Here’s what that gallery has to say about the exhibition: “The exhibition features 20 vibrantly expressive watercolors, some with paper collage, that capture the rhythm and energy of New York City. Painted between 1979 and 1986, they literally burst with color that flows across the surface of compact, highly charged compositions. Several of the works on view are from a series of cityscapes done for the opening credits in John Cassavetes’ 1980 film, Gloria.” (Pictured: Broadway, c. 1979-80, by Romare Bearden) From the Magazine | Overheard
9/26/2008 4:51:15 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, September 22, 2008
Art Conservation
Posted by sarah

Puffin Stuff (acrylic on board, 18x36) by Kim Diment For its 10th anniversary, the Artists for Conservation
Foundation will launch its first annual juried exhibition, The Art of
Conservation - An International Exhibition of Nature in Art, featuring the nature art of its members. The exhibition celebrates
artistic excellence in the depiction of nature, raises awareness of
conservation issues and directly supports organizations dedicated to
addressing them. The exhibition will launch in September 2008 at the Hiram
Blauvelt Art Museum (HBAM), one of the world's leading museums for
nature and wildlife art, situated near New York City. The exhibition will be open to the public through December 19, 2008.
Click here to see more images from the show. Overheard
9/22/2008 1:38:29 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, September 18, 2008
2008 Ones to Watch/Watercolor Society Showcase
Posted by jessica
 Having just finished our December issue, which announces our 2008 Ones to Watch, we’re currently working on our February issue special report: the annual Society Winners Showcase. As the watercolor society exhibition catalogs roll in, I’m noticing a delightful trend: the reappearance of works by this year’s Ones to Watch! So who are these art stars? You’ll have to wait for the December issue, on sale Oct. 28. Speaking of watercolor societies, three shows you might be interested in are currently on display: National Watercolor Society 88th Annual Exhibition: through November 1 at the Riverside Art Museum (Riverside, California) The Alaska Watercolor Society 34th Annual Juried Exhibition: through September 22 at the Stephan Fine Art Gallery (Anchorage, Alaska) California Watercolor Association Member Fall Show: September 27 through December 30 at Gallery Concord (Concord, California) (Pictured: Feeding Time (30x22), winner of the National Watercolor Society Purchase Award, with Silver Star, by Soon Y. Warren)
From the Magazine | Overheard
9/18/2008 10:03:43 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, September 08, 2008
A Little External Motivation for Watermedia Artists
Posted by sarah
 It's time to start painting: Watercolor U.S.A. 2009 will be held June 6 through August 2 at the Springfield Art Museum in Springfield, Missouri. The goal of the annual exhibition is to recognize and encourage watermedia painting and to simulate the collection of orginal works. Prizes include cash awards totaling $40,000. The entry free is $15 and the deadline for entry is March 31. For a 2009 Prospectus, send a SASE to Watercolor U.S.A., Springfield Art Museum, 1111 E. Brookside Drive, Springfield, MO 65807 or call 417/837-5700. For more information, click here to visit the Springfield Art Museum's website or email watercolorusa@springfieldmo.gov. Overheard
9/8/2008 9:08:19 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, September 05, 2008
National Gallery of Art’s New Turner Watercolor
Posted by jessica
 More news at the National Gallery of Art: It’s recently acquired British art icon J.M.W. Turner’s 1840 painting, Oberwesel (watercolor and gouache over graphite with scratching-out, 13¾ x 20 7/8). This important landscape depicts a view of the Rhine River from the hillside vineyards near Oberwesel, Germany. Here’s why it’s a significant piece, according to the National Gallery of Art: “Executed in Turner's signature medium of watercolor, it encapsulates all the most admired qualities of the artist's works in that demanding technique. With its dazzling combination of light, color, and atmosphere, this piece not only marks the pinnacle of Turner's career as an artist but also bears eloquent witness to his stature as a supremely gifted and innovative watercolorist.” Overheard
9/5/2008 4:59:02 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, September 02, 2008
Wake up! It's Tuesday!
Posted by sarah
Overheard
9/2/2008 9:00:31 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 28, 2008
73 Best Websites for Artists
Posted by jessica
 Sure, you’re online. But how much time do you waste finding useful sites for artists? We trolled the web—so you wouldn’t have to—and came up with 73 sites we found most useful. The results can be found in the October issue of the magazine, but you can also download the document by clicking here to have the document right on your desktop and, with the click of your mouse, go directly to the sites. Obviously, you’ve found the Watercolor Artist blog, so there’s a start. From the Magazine
8/28/2008 11:09:16 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 25, 2008
Creativity Workshop Winners
Posted by sarah
In the June 2008 issue of Watercolor Artist,
Wendy Hill challenged readers to loosen up with a spontaneous
background. "Deciding how to handle the background can sometimes be the
most difficult part of making a painting," she said. Hill recommended
that artists experiment with unconventional tools--tea bags, coffee
filters, sponges, leaves, paper, plastic wrap and salt, to name a
few--in order to liberate the painting process. (Click here to read an excerpt of the column)
Artists from all over the country responded to her call in record
numbers and sent us images of experiments of their own. We're now
pleased to announce the winner of the $100 gift certificate from
Jerry's Artarama: Gail Gwinup with What's Black and White (see below). Runners-up include Nancy Standlee, Helen K. Beacham, Mary Hopf and Doreen Spoor. Click here to see all of the winning works and read about their creation. And thanks to everyone who entered! A reminder: There's just one day left to enter your Speedy Delivery paintings for a chance to win your $100 gift certificate to Jerry's Artarama. Click here for the details.  From the Magazine
8/25/2008 9:26:44 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 21, 2008
Online Slide Show: Henry Fukuhara
Posted by jessica
 Artist Al Setton celebrates and honors the long career of beloved painter and teacher with a very special feature in the Henry FukuharaOctober 2008 issue of Watercolor Artist. “A modernist in his approach, Henry celebrates freedom of expression above all else, demonstrating a regard for daring color shape and design choices over a detailed or realistic depiction of the natural world,” writes Setton. Click here for a slide show of some of the artist's works. From the Magazine
8/21/2008 4:54:22 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 14, 2008
Paul Jackson Represents USA in Chinese Watercolor Event
Posted by Kelly
 W  atercolor artist Paul Jackson is representing the United States
in The International Watercolor Masters Invitational Exhibition at Lu
Mountain in China, billed as featuring the "top 20 watercolorists from
around the world." He's one of only three Americans invited, and is the only one to make the trip. His painting Farewell (at right) is one of
the three architectural paintings Jackson will have on view during the
exhibition. As part of this exciting event, Jackson will be competing in a plein air
paint-off. Some of the resulting
artwork will be donated to help those affected by earthquakes in
southwest China. To follow his pursuits, check out Jackson's travel blog at www.pauljackson.com/blog/. Want to see more of Jackson's work? Visit his website and check out his feature article in the April 2008 issue of Watercolor Artist.
Overheard
8/14/2008 4:24:30 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 11, 2008
Enter Your "Speedy Delivery" Paintings to Win $100
Posted by sarah
 Just a friendly reminder: The Creativity Workshop deadline is fast approaching for the August 2008 issue, in which Kathy Collins challenges readers to use a rapid painting process to achieve freshness and avoid overworking in their watercolors. Read an excerpt of the article here. And send your paintings to wcamag@fwpubs.com to win the $100 gift certificate to Jerry's Artarama by August 26, 2008. Recently, a reader wrote in about Collins' challenge: I enjoyed reading Kathy Collins' Creativity Workshop in the August 2008 issue and I'd like to try it; however, I'm not really clear on the composition step. How do you design it? What exactly is a cruciform shape and what are layers of color in varying sizes? Could we see some pictures of this first step? That would be so helpful. Sincerely, Trudie Kiliru.As it turns out, Collins loves reader mail and was happy to reply: In response to the reader’s questions, designing a composition is the first step toward a successful painting and I appreciate her interest in learning more. The composition forms the basic structure of a painting. As I noted in the Creativity Workshop, there are some simple designs that work well, so it’s not always necessary to invent a new composition every time you paint. The cruciform pattern (cross-shape) is one of these designs and layers of varying sizes is another.
By way of illustration, a page from my sketchbook shows the bare bones structure of two of my paintings. I designed the painting Field in Summer (above) with three
layers like a pile of pancakes: the sky, the purple mountains and the
yellow-green foreground. It’s important that each layer be a different
size and not exactly the same shape for variety. The sketch illustrates
the basic structure of that painting.
In Synchrony (at bottom) the mast of the boat and its reflection comprise a vertical line and the shoreline is the second (horizontal) line. This cruciform pattern is basically two lines that cross each other at a 90 degree angle and is usually designed so that the center of interest is at the place where the two lines intersect (preferably not in the center).
There are innumerable ways to compose a painting and I've named only a few, but I hope this explanation has been helpful and I congratulate the reader on her willingness to try the Creativity Workshop!
Best Regards,
Kathy Collins
From the Magazine | Tips and Tools
8/11/2008 9:59:58 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 06, 2008
Science + Art = New van Gogh Painting
Posted by jessica
 A new Vincent van Gogh painting has been discovered—underneath another van Gogh painting. Patch of Grass, the artist’s 1887 landscape that was painted over the hidden portrait of a woman is housed at the Kroller-Muller Museum in the city of Otterlo, Netherlands, according to NPR. Van Gogh recycled his own canvases, as do many artists, which made the portrait visible through x-ray technology. The portrait was discovered by scientists at the University of Antwerp in Belgium and Delft University of Technology in the Netherlands. Check out the NPR story to watch a video that takes you inside the x-ray process. Overheard
8/6/2008 11:27:16 AM (Eastern Daylight Time, UTC-04:00)
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