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Links
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 Wednesday, May 13, 2009
Secrets to Getting Your Artwork Published
Posted by Kelly
Online Seminars
5/13/2009 3:02:41 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 12, 2009
Meet Our Creativity Workshop Winners!
Posted by sarah
From the Magazine | Tips and Tools
5/12/2009 11:54:22 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, May 06, 2009
Swipe File: Tips from Watercolor Artist Readers
Posted by sarah
Over the years, we've amassed a vast collection of reader-submitted tricks of the trade, many of which we've published in our popular Swipe File column or on our website. We thought now would be the perfect time to re-introduce this department and invite readers to share their best timesaving, budget-friendly tips and techniques. Here's one of our favorites from Bonnie Rodgers, who saved herself a nice chunk of change with a bit of grit and ingenuity:  Recently, while preparing for a plein air journey, I searched for a journal of the right size for my art travel bag. I wanted one that had 140-lb., cold-pressed paper. Local stores only allowed me a 90-lb. version. So, I looked on the internet and found a journal maker, but she was having trouble finding the right glue to adhere to the heavier paper. I tried to make my own from leather, watercolor paper and binding thread, but due to my limited time and knowledge, I gave up on that idea. Then I came up with the solution: different-sized photo albumns that I could populate with watercolor paper, cut to the size of the albumns' sleeves or smaller. I found I could also extend the book size by adding larger spine pins to accommodate more sleeves. It worked wonderfully! I could paint on any size (as long as it was smaller than the paper I had brought with me). I could also collect tickets and memorabilia for future use and memory ticklers in the photo sleeves. On days when I needed to reduce the weight I was carrying, I could undo the spine screw pins and take pages out.  The best thing of all was that I saved myself about $125. Journals with enough pages, the proper paper weight, and the right-sized paper for sketching and journaling, with a sturdy binding that would hold up to rigorous use cost about $150 to $200, when available. Photo albums cost $7.50 to $15 and one sheet of 140-lb. watercolor paper costs $7.99. Each sheet of watercolor paper allowed me to cut several pages of 3x5-inch, 4x6-inch, and 6x8-inch journal pages for three different-sized journals. This idea will serve me well for all my plein air journeys. Thanks Bonnie!
Send a description of your method and a photo or JPEG (with a resolution of 300 dpi) illustrating a tip or technique to wcamag@fwmedia.com for your chance to see your bright ideas in print, on our site or in our e-newsletter. Who knows? Your idea might be just the thing that a fellow artist needs to find his or her way back to the easel. From the Magazine | Tips and Tools
5/6/2009 8:36:07 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, May 04, 2009
Juried Watercolor Exhibition
Posted by sarah
Overheard
5/4/2009 2:08:06 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 28, 2009
Take Better Reference Photos
Posted by sarah
 Watercolor artist Henry Dixon helps you start your painting composition
out on the right foot by sharing his best advice for taking good
reference photos. To download, click here: wc-dixon.pdf Save the PDF to your desktop and reference it whenever you like, print it out or e-mail it to a friend. For more great ideas from Henry Dixon, check out his book Paint Amazing Watercolors from Photographs. From the Magazine | Tips and Tools
4/28/2009 12:26:12 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 21, 2009
Bay Area Watercolorists
Posted by sarah
Overheard
4/21/2009 9:00:12 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 14, 2009
Calling All Watermedia Artists
Posted by Kelly
From the Magazine
4/14/2009 9:04:00 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, April 13, 2009
Rachel Collins Online Gallery
Posted by Kelly
From the Magazine
4/13/2009 9:07:18 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 07, 2009
Free Sample Day at Watercolor Artist
Posted by sarah
 You've probably heard the hub-bub about new, digital frontiers in the publishing industry, but if you're an artist who likes to spread her magazines out near her easel and paint from the step-by-steps, you're probably wondering what all of this has to do with you. One advantage of purchasing magazines in a digital format is that they're extremely portable (you can pop a copy on a zip drive and take it anywhere you want to go without worrying about damage or loss). They're also easily searchable (you can use bookmarks and hyperlinks to navigate within the issue and online). And they're easily printable if need be (you can print high quality copies of your favorite articles right from your desktop printer). Some call digital issues "green alternatives" and some call them "space savers" and some call them "tech candy." We just want to give artists every possible means of enjoying our fabulous watercolor content. To that end, we've made a committment to digitizing our archives. If you're interested, but still a little skittish, think about downloading a free sample of our April 2009 issue in its digital format. You'll get watercolorist Scott Zupanc's gorgeous cover image, our table of
contents and the opening spread of our cover artist's full-length
feature, in an easy-to-search PDF format that works on almost all
computers equipped with a free Acrobat Reader program. If you like what you see, click here to order the full issue from our handy online store. From the Magazine
4/7/2009 4:40:20 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, March 30, 2009
Shipping to Subscribers on April Fool's Day ...
Posted by sarah
June 2009 Features
Color Revival
By Jessica Canterbury with Butch Krieger
Exciting new colors join reformulated favorites on the market this year. No matter what type of painter you are, you’re bound to find something here that will excite your senses and stir your creative spirit.
High Definition
By Meredith E. Lewis
Jonathan Frank celebrates the unique landscape of the American West in watercolor and ink.
Articulation of the Bone
By Sarah A. Strickley
In homage to nature’s design, Rachel Collins gets up close for a dramatic portrayal of vertebrae and flowers.
The Outsider
By Ken Gofton
English artist David Paskett reveals much of himself and his own life experiences in dynamic paintings of Hong Kong and mainland China.
In the Field
By Russell Jewell
Painting outdoors is a surefire way to loosen up and get attuned to your subject. This noted plein air painter tells you all you need to know to get started.
Natural Beauty
By Kelly Kane
Malaysian artist Ismail Kadir paints scenes that capture the native customs and traditional ways of life still found in the country’s jungle villages and lively fishing communities.
Columns
Making a Splash
Edited by Jessica Canterbury
Discover seven simple tips for writing grants, a handy tool for applying color theory to your garden, and what to do in artsy St. Louis.
Creativity Workshop
By Nicholas Simmons
Learn how to use Adobe Photoshop to help push your painting compositions beyond the ordinary.
Meet the Masters
By Carrie Oeding
Learn how Arthur Dove, an American watercolor master, got by with a little help from friend Alfred Stieglitz.
Watercolor Essentials
By Henry W. Dixon
Follow along step by step as this accomplished watercolorist demonstrates how to
craft compelling paintings from photographs. Click here to order your copy!
From the Magazine
3/30/2009 5:01:29 PM (Eastern Daylight Time, UTC-04:00)
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Free Step-by-Step Watercolor Download
Posted by sarah
 Learn how to capture the "bounce" of sunlight on surfaces step-by-step with our latest digital download, "Reflection of Sunlight," from esteemed watercolor artist Jeanne Dobie. Click here for your free copy. From the Magazine | Tips and Tools
3/30/2009 12:28:26 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, March 27, 2009
Artists in the Big House
Posted by Kelly
 This past fall, 100 artists moved into their new studio space in Lorton, Virginia, in what was once a prison facility. Originally commissioned by President Theodore Roosevelt at the beginning of the 20th Century, the site was designed as a workhouse for Washington D.C.'s nonviolent criminals. Roosevelt’s
progressive-era vision was to provide prisoners with fresh air, natural
light and structured, purposeful work as the basis for their
rehabilitation. Some of the facility's most notable residents included approximately 168 women,
most from the National Women's Party—including co-founder Lucy Burns, who were incarcerated for picketing in front of the
White House for women’s voting rights. Today, the 30-building prison has been transormed into a wide-ranging arts community. In addition to the artists' studios, the Workhouse Arts Center features gallery exhibitions, classes, workshops and performances. Artists working in the new center were selected by jury, and must
commit to 100 hours per month in their studios, which are open to the
public daily.  Overheard
3/27/2009 10:12:54 AM (Eastern Daylight Time, UTC-04:00)
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