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 Friday, July 10, 2009
Creativity Workshop Winners!
Posted by sarah


In the June 2009 issue of Watercolor Artist, Nicholas Simmons challenged readers to use Photoshop to develop new creative avenues in their compositions. "Viewing your composition through the lens of a graphics editing program is a fascinating way to explore the endless possibilities hiding in your work—if not also in your head—and to stimulate new ways of thinking and seeing," he said. We're now pleased to announce the winner of our $100 gift certificate to North Light books: Elise Beattie of Paducah, Kentucky with Painted Lady. Find out where she took this reference photo (above) on our site: http://www.artistsnetwork.com/article/wca_creativity_beyond_the_ordinary_responses/

From the Magazine | Tips and Tools
7/10/2009 12:06:38 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2]
 Thursday, July 09, 2009
The One Compositional Rule Every Painter Must Know
Posted by Kelly

ANOnlineSeminar.jpg
Good composition is the most important (and most complex) aspect of painting, but it doesn’t need to be difficult to achieve. Whether you paint still lifes, landscapes, figures and portraits, or anything else, Greg Albert can teach you how to design an eye-catching painting everytime in our latest online seminar, The Simple Secret to Better Painting: The One Compositional Rule Every Painter Must Know.

Topics include:

* Varying the intervals between the elements of a picture.

* Creating interesting shapes and croppings.

* Achieving dynamic balance to maximize interest.

* Including “eye magnets” and “mind magnets” in a painting.

* Creating an entertaining path for the eye.

* Applying the “most, some and a bit” rule to color and value.

Reserve your spot for the July 14 session now! Everyone who signs up for this class will receive, in addition to online access to the recording of the session, a special discount off the purchase of Greg Albert’s Simple Secret to Better Painting.


Online Seminars
7/9/2009 2:47:28 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Wednesday, July 08, 2009
Turn Any Space Into a Studio
Posted by Kelly

In the August issue of Watercolor Artist, on newsstands now, we visited the studios of three top watercolor artists and brought back their best advice for how to convert nearly any space—from an unfinished room in the basement (like the one used by John Salminen) to a sunny room off the kitchen (like Donna Zagotta's) or a tidy second-floor loft (like Laurin McCracken's)—into a studio. Here's a sampling of their best advice:

  • Do begin with the basics. John Salminen believes must-have supplies depend on an individual’s painting process. His? A large, flat work surface.
  • Do place a premium on storage. “The shortcoming of most peoples’ studios is inadequate storage,” says Salminen. Plan for more storage space than you think you’ll ever need, so you’ll have places for all the bulky items that come with painting—from framing supplies and framed paintings to shipping crates.
  • Do think creatively about furniture. It doesn’t have to be made for an artist in order to work in the studio. Laurin McCracken uses a small kitchen island as a taboret and stores additional supplies behind him on a baker’s rack. Other ideas: TV stands, microwave carts, plastic storage drawers on wheels or small shelves.
  • Don’t forget the water. Being near a water source makes it easier to get fresh, clean water for your containers, which McCracken says many of his workshop students don’t do often enough. He also recommends using warm water.
  • Don't short shrift your work table. “It should be waist-high to facilitate watercolor painting,” says Donna Zagotta.
  • Do be patient. “I believe that a perfect studio doesn’t happen overnight, but evolves over a number of years through experience, trial and error, and a constant examining of your ever-changing needs as an artist,” says Zagotta. 


0809_WCA_COVER_60.jpgFor more tips on setting up a studio, check out the special report "Inside the Artist's Studio" in the August 2009 issue of Watercolor Artist.



From the Magazine | Tips and Tools
7/8/2009 2:36:13 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [3]
 Wednesday, July 01, 2009
Swipe File: Reader Tip for Transporting Paintings
Posted by sarah


Watercolor Artist
reader Bonnie E. Rodgers of Papillion, NE, shares her latest homespun solution for a common painting problem:

"Carrying paintings around can be a challenge because of the possibility of the edges and surface becoming damaged. Pipe wrap can be used to protect any size of painting by cutting it to the length of each edge. This is a great way to package your paintings for shipping also. Simply cut the pipe wrap to the paintings size and slip on. (Note: the black version works best because it comes in sizes of 1/2-inch to 2-inch openings. The beige version shouldn't be used because it has an adhesive that will leave residue on the painting or glass. It's also more brittle than the black.)
 
"Pipe wrap is also good for carrying brushes.  It can be cut longer that the longest brush and then the brushes can be set comfortably in the center. To stop the brushes from slipping out, simply place a tissue or paper towel at the ends and secure it with a rubber band."
 
Thanks Bonnie! To submit your creative solutions to those nagging painting problems, e-mail wcamag@fwmedia.com.


Tips and Tools
7/1/2009 8:33:54 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, June 26, 2009
Traveling Watercolor Show
Posted by sarah


The Michigan Water Color Society (MWCS) 62nd Annual Exhibition traveling show will be on display at the Rankin Center Fine Arts Gallery at Ferris State University from July 6 – July 31, 2009. The show consists of thirty watermedia paintings from the 62nd MWCS Annual Exhibition including all award winners and selected pieces by juror Matthew Daub. They represent a complete cross-section of styles and techniques and showcase the talent of many Michigan artists. The exhibition is part of a statewide tour that will also include The Art Center in Traverse City and the Studio 23 Art Center in Bay City.

Overheard
6/26/2009 11:33:17 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Thursday, June 18, 2009
Entering Art Competitions
Posted by jessica


With competition season in full swing, you might be facing a number of tough questions: Which paintings should I enter? How does the jurying process work? In our latest online seminar, Entering Art Competitions: Enhance Your Chance of Success, editors of our sister publications, Anne Hevener (The Pastel Journal) and Maureen Bloomfield (The Artist's Magazine), will tackle these questions and many more. Reserve your spot for the June 23 session now! Just for signing up for the seminar, you'll receive online access to a recording of the live session and a free digital download: "How to Photograph Your Work for Contests and Shows."

Speaking of contests, the deadline for entry in our Watermedia Showcase is August 1.




Online Seminars | Tips and Tools
6/18/2009 11:11:25 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, June 17, 2009
Choose the Right Surface for Your Watercolor Technique
Posted by Kelly

SandrinePelissier-Dayoff.jpgCanadian artist Sandrine Pelissier creates rich mixed-media portraits bursting with life. In the August issue of Watercolor Artist she shares in-depth details about her process. Here's what she had to say about how she chooses which surface to use for a particular subject:

“When choosing a subject, I ask myself what kind of paper and technique would help me best convey the effect I’m looking for,” says Pelissier. “Do I want the subtle, controlled effect afforded by layering on absorbent, Arches 300-lb. cold-pressed watercolor paper, or the brighter colors and texture that painting directly on Yupo paper offers? (Yupo is a non-absorbent, synthetic paper that allows paint to stay on the surface and dry by evaporation, making more or less predictable patterns in the process.) For results that fall somewhere in-between, I opt for watercolor board; and for paintings with a lot of texture, I work on wood panels or canvas.”

0809_WCA_COVER_60.jpgFor more painting tips from Sandrine Pelissier, check out her feature in the August 2009 issue of Watercolor Artist.





From the Magazine | Tips and Tools
6/17/2009 3:05:37 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, June 15, 2009
Free Sample: Paint Trees With Birgit O'Connor
Posted by sarah

This week we’re proud to have Birgit O’Connor back with the Watercolor Essentials workshop. This 70-minute video has over 40+ lessons that will help you put the magic of transparent watercolor in action, so you can see how the paint is applied and reacts on the paper. Check out a free sample and learn how O'Connor paints trees below.



Online Seminars
6/15/2009 8:36:13 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Friday, June 12, 2009
Watercolors in Missouri
Posted by jessica

The Watercolor USA National Honor Society’s (WHS) competitive exhibition, Watercolor U.S.A. 2009, opened last Saturday at the Springfield Art Museum in Missouri, featuring 155 paintings in watermedia. This is one of the biggie juried exhibitions—659 entries by 357 artists from 42 states were submitted this year—so if you’re in the Springfield area, get to it (the show runs through August 2).
 
Also on display (through August 2) at the Springfield Art Museum is Japan Watercolor Foundation, which showcases contemporary Japanese watermedia paintings. This exhibition is an exchange program between the WHS and the Japanese Watercolor Foundation; next April, 30 paintings from WHS will go on display at the National Art Center in Tokyo.

Also, Missouri State University’s Art & Design Gallery (also in Springfield) hosts the Honor Society Member Invitational, a watercolor exhibition of work by the WHS Members, through July 17. Exhibiting artists are: Wayne Conyers; Kathleen Kuchar; Bob Mejer; Ellen Murray-Meissinger; Karen Poulson; Susan Puelz; Camille Rendal; Sarah A. Riley; Sandra Schaffer; Carol Ann Schrader (who was featured in the June 2007 issue of the magazine); Bruce Thayer; Elizabeth Yarosz-Ash; and Peggy Zalucha.




Overheard
6/12/2009 10:58:33 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, June 10, 2009
5 Tips for Painting Water from Charles Reid
Posted by Kelly

1009_wc_Reid_water.jpg
1. Water should be painted with hard edges between the light from the sky and the reflections from trees, buildings or boats.

2. Paint wet-in-wet within the reflections but rarely where the reflection meets the sunlight.

3. For distant water on the horizon, try moist Antwerp blue or peacock blue (Holbein). Sometimes I use ultramarine violet if the horizon line of the sea seems very dark.

4. In shallow water, use diluted Antwerp blue, peacock blue or Winsor blue. These are all transparent blues that retain their color identity when diluted.

5. Sometimes water near the shore can turn a delicate turquoise green. You can add turquoise green to your palette, or simply mix diluted cadmium yellow pale or lemon yellow with one of the diluted blues to achieve the same color.


For more painting tips from Charles Reid, check out:

From the Magazine | Reviews | Videos
6/10/2009 10:41:12 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Monday, June 08, 2009
New Watercolor Workshop: Dramatic Light
Posted by sarah

Check out a free sample of the latest watercolor video from ArtistsNetwork.tv: Dramatic Light With Patrick Howe.  Howe starts very simply with just one watercolor and a brush, and then takes you through the different stages, explaining how to turn the white of your paper into sunlight. In his final demo, he’ll show you how to sketch out a dimly lit street scene in oils. Enjoy!



Online Seminars | Overheard | Tips and Tools | Videos
6/8/2009 10:14:51 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, June 03, 2009
Roadster as Paintbrush
Posted by jessica

BMW.jpgThose BMW ad execs are smart cookies. Probably the most expensive paintbrush I’ve ever heard of, the 2009 BMW Z4 Roadster was used as such a tool in continuing the company’s art car legacy with its unveiling of the new model.

BMW commissioned South African visual artist Robin Rhode to express on canvas the experience of driving the Z4 Roadster. The ad not only caught my eye but prompted me to do as it said—not buy the car, but witness what happened next on its website. See how the artist created the painting (pictured) by clicking here.




Overheard
6/3/2009 11:37:24 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
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