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 Thursday, October 29, 2009
5 Insider Tips for Entering Art Competitions
Posted by Kelly
 In case you haven't heard, we wrapped up the judging of our Watermedia Showcase competition a few weeks ago (Sorry, no spoilers here. You're going to have to wait for the February issue to see the winners announced.), and just a few weeks before that, a colleague and I juried a local arts fair. In general, I love to jury shows. For one thing, I love looking at great art, plus shows are a great way to find new talent to feature in the magazine and gauge trends—Are there more abstracts than usual this year? Is mixed-watermedia still hot? As a juror, I always approach a competition with such high hopes, which is why it's so frustrating when I see people shoot themselves in the foot by not adhering to the rules of the competition or by simply not giving the presentation of their work the proper due. Here are some important dos and don'ts for entering art competitions. 1. Do use your own photo references. It's embarrassing and damaging to all involved when a prize must be revoked because it's been determined that an artist has used someone else's photos as source material. 2. Do make sure the photography is high-quality. It's unprofessional and distracting to see someone's backyard fence framing a painting in the slide or digital image. Crop! Also, if the painting is poorly lit, it can't be judged properly, and almost always gets disqualified right off the bat. 3. Don't pander to the jurors by submitting work that looks just like theirs. They see right through that; and, trust me, it wins you no points. 4. If the exhibition has a variety of categories (landscapes, abstracts, figures, etc.), don't stretch the interpretation and enter a loosely painted landscape into the abstract category, for example, simply because that category generally gets fewer entries, and you think it will increase your chances of winning. It just encourages the juror to assume you don't understand your own work. 5. Don't get discouraged if you don't win. Lots of terrific paintings get rejected in competitions that pull in a lot of entries. Consider that you may never know how much a juror may have struggled over the decision. You may have been THIS close. Maureen Bloomfield, editor of The Artist's Magazine, and I will be sharing more insider tips on how to make intelligent choices when deciding what shows and competitions to enter, so that you don't throw away your money or your time. Catch us live Tuesday, November 3 at 1:00 (EDT) for Entering Art Competitions: Enhance Your Chance of Success.
From the Magazine | Online Seminars | Tips and Tools
10/29/2009 11:18:37 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 28, 2009
All Media Art Competition
Posted by sarah.strickley
If you missed the deadlines for our Watermedia Showcase Competition and you're still interested in earning recognition (and cash!) for your work, check out the latest competition sponsored by our sister title, the Artist's Magazine. Here are the deets on the All-Media Online Competition: PRIZES:Grand Prize Award: $500 7 First Place Awards: $100 each The Grand Prize winner and all 7 First Place Winners will receive complimentary subscriptions to The Artist's Magazine and $100 worth of North Light Books. Honorable Mentions receive complimentary subscriptions to The Artist's Magazine and $50 worth of North Light Books. Winners will be featured on The Artist's Magazine website along with a list of Honorable Mentions. All Winners and Honorable Mentions will receive a certificate suitable for framing. 7 CATEGORIES: Acrylic, Digital Art, Graphite/Charcoal/Colored Pencil, Mixed Media/Collage, Oil/Oil Pastel, Pastel, Watercolor. DEADLINE:All entries must be postmarked no later than November 2, 2009.Find out how you can enter your work by clicking here.
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Overheard
10/28/2009 9:41:34 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 27, 2009
 Monday, October 19, 2009
Four Steps to a Sketch
Posted by jessica
From the Magazine | Tips and Tools
10/19/2009 2:33:46 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 16, 2009
Reel Art
Posted by jessica
From the Magazine | Overheard
10/16/2009 11:32:31 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 13, 2009
Notes from North Light: Sculpt Intricate Details of Light
Posted by Kelly
 To achieve the beautiful effects of soft yet radiant light for the piece Dawn (left), artist Robin Berry uses small scrubber brushes as well as toothbrushes to blend and blur the hard lines created by masking fluid. Berry, a potter as well as a watercolorist, refers to this softening and rounding the edges as “sculpturing” the light, a process she likens to the act of molding clay. For large areas, Berry first sprays the areas with clean water, then uses a wet toothbrush to scrub the hard edges with a small circular motion. For smaller areas, she uses a small scrubbing brush that's wet with clean water to gently scrub the area. If you need to repeat this, dry the paper well before doing so, as too much scrubbing can puncture the paper. As you can see, this gentle touch is worth the effort. You can see how Robin Berry created this piece from start to finish in Watercolor Secrets, edited by Rachel Rubin Wolf. North Light Books | Tips and Tools
10/13/2009 2:47:33 PM (Eastern Daylight Time, UTC-04:00)
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Obamas Choose White House Art
Posted by Kelly
Overheard
10/13/2009 12:50:42 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 09, 2009
New Watercolor Download
Posted by jessica
From the Magazine | Tips and Tools
10/9/2009 10:27:05 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, October 08, 2009
A Palette Within a Palette
Posted by Kelly
From the Magazine | Tips and Tools
10/8/2009 3:48:28 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, October 06, 2009
Watercolor: You Can Take It With You
Posted by sarah
From the Magazine
10/6/2009 8:45:54 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, October 02, 2009
October is National Arts and Humanities Month!
Posted by jessica
Overheard
10/2/2009 10:00:32 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, September 29, 2009
Paint a Watercolor Portrait in 4 Simple Steps
Posted by Kelly
Watercolor Secrets contributor and Splash veteran Fealing Lin loves painting watercolors spontaneously. “Spontaneity can be merely an illusion if you don’t appreciate the nature of the medium,” says Lin. “I constantly squint my eyes to generalize the shapes, leaving the facial features and other details for last.” Here’s a look at her process in action.  Reference Photo  1 DRAWING THE LIKENESS I drew the image with a 3B pencil, making the pencil lines dark enough to sustain the first color wash. I added small dots of frisket for the spots of light in the ribbon and the ribbon’s shadow.  2 APPLYING THE LIGHT-VALUE WASH I set my easel at a steep 70-degree angle. This allowed the colors to run and mingle when I applied the light-value wash over the pencil lines and the background using the wet-into-wet method.  3 CREATING THE LIGHT AND SHADOW PATTERN I used light-medium values to shape the light and shadow patterns at this stage (both cast shadows and form shadows). Cast shadows can be rendered with hard edges, but form shadows need softened edges.  4 COMPLETING THE FACIAL FEATURES AND DETAILS I completed the facial features and details with all the light and dark values. I erased the frisket and made necessary touch-ups. I used a craft knife to scrape thin lines into her hair. Fealing Lin’s work will also be featured in the upcoming Splash 11: New Directions, due out in May 2010. Visit the Splash website to learn more about their current competition Splash 12: Celebrating Artistic Vision. Deadline to enter is December 15th, 2009. North Light Books | Reviews
9/29/2009 1:50:37 PM (Eastern Daylight Time, UTC-04:00)
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