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 Friday, October 30, 2009
One Artist Retweets Her Way to a Free CD
Posted by sarah.strickley


Last week, we rolled out our WCAwards program on our Twitter feed (@wcamag). Here's the deal: We tweet about special offers or deals we know about, you retweet the news, and then we enter you in a drawing for a free prize. We're really very excited about all of this because we LOVE giving away free stuff and once we realized that Twitter could give us a quick and easy way of giving away all manner of awesome Watercolor Artist swag, we were hooked on the idea. So, we're quite pleased to announce that artist, crafter and blogger, Verna Grant (@studiovee), is the winner of our first WCAwards drawing. We'll be sending her a copy of our 2005 CD archive, which just went on sale this month as part of our initiative to digitize all of our back issues. Congrats to Grant and to everyone who joined in the retweeting fun. Keep your eyes open for the next WCAwards announcement--who knows what we might be giving away next?!?--and have a happy Halloween!



MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos


Overheard
10/30/2009 2:23:43 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Thursday, October 29, 2009
5 Insider Tips for Entering Art Competitions
Posted by Kelly

artfair2.jpgIn case you haven't heard, we wrapped up the judging of our Watermedia Showcase competition a few weeks ago (Sorry, no spoilers here. You're going to have to wait for the February issue to see the winners announced.), and just a few weeks before that, a colleague and I juried a local arts fair. In general, I love to jury shows. For one thing, I love looking at great art, plus shows are a great way to find new talent to feature in the magazine and gauge trends—Are there more abstracts than usual this year? Is mixed-watermedia still hot?

As a juror, I always approach a competition with such high hopes, which is why it's so frustrating when I see people shoot themselves in the foot by not adhering to the rules of the competition or by simply not giving the presentation of their work the proper due. Here are some important dos and don'ts for entering art competitions.

1. Do use your own photo references. It's embarrassing and damaging to all involved when a prize must be revoked because it's been determined that an artist has used someone else's photos as source material.

2. Do make sure the photography is high-quality. It's unprofessional and distracting to see someone's backyard fence framing a painting in the slide or digital image. Crop! Also, if the painting is poorly lit, it can't be judged properly, and almost always gets disqualified right off the bat.

3. Don't pander to the jurors by submitting work that looks just like theirs. They see right through that; and, trust me, it wins you no points.

4. If the exhibition has a variety of categories (landscapes, abstracts, figures, etc.), don't stretch the interpretation and enter a loosely painted landscape into the abstract category, for example, simply because that category generally gets fewer entries, and you think it will increase your chances of winning. It just encourages the juror to assume you don't understand your own work.

5. Don't get discouraged if you don't win. Lots of terrific paintings get rejected in competitions that pull in a lot of entries. Consider that you may never know how much a juror may have struggled over the decision. You may have been THIS close.

Maureen Bloomfield, editor of The Artist's Magazine, and I will be sharing more insider tips on how to make intelligent choices when deciding what shows and competitions to enter, so that you don't throw away your money or your time. Catch us live Tuesday, November 3 at 1:00 (EDT) for Entering Art Competitions: Enhance Your Chance of Success.




From the Magazine | Online Seminars | Tips and Tools
10/29/2009 11:18:37 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Wednesday, October 28, 2009
All Media Art Competition
Posted by sarah.strickley

If you missed the deadlines for our Watermedia Showcase Competition and you're still interested in earning recognition (and cash!) for your work, check out the latest competition sponsored by our sister title, the Artist's Magazine. Here are the deets on the All-Media Online Competition:

PRIZES:
Grand Prize Award: $500
7 First Place Awards: $100 each
The Grand Prize winner and all 7 First Place Winners will receive complimentary subscriptions to The Artist's Magazine and $100 worth of North Light Books.
Honorable Mentions receive complimentary subscriptions to The Artist's Magazine and $50 worth of North Light Books.
Winners will be featured on The Artist's Magazine website along with a list of Honorable Mentions.
All Winners and Honorable Mentions will receive a certificate suitable for framing.

7 CATEGORIES:
Acrylic, Digital Art, Graphite/Charcoal/Colored Pencil, Mixed Media/Collage, Oil/Oil Pastel, Pastel, Watercolor.

DEADLINE:
All entries must be postmarked no later than November 2, 2009.

Find out how you can enter your work by clicking here.


MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos




Overheard
10/28/2009 9:41:34 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Tuesday, October 27, 2009
Notes from North Light: Your A to Z Guide to Watercolor
Posted by Jennifer.Lepore



A strong drawing will allow you to paint loose while still retaining a good likeness. Follow along with this advice for painting people from Grant Fuller's Watercolor A to Z:
1. Draw from reference, checking your proportions.
2. Wash the figure and background together, leaving areas of white paper for the lightest lights.
3. Work darker and smaller, strengthening shapes.
4. Finish sparingly, adding some details, but allowing the viewer's imagination to fill in the blanks.




For those of you not familiar with this 2008 North Light book, you can learn more about Watercolor A to Z in Jen's Picks here, or check out Grant Fuller's recent feature in the September/October 2009 issue of Canadian Brushstroke Magazine here.



 | Jen's Picks | North Light Books | Tips and Tools
10/27/2009 11:14:28 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Monday, October 19, 2009
Four Steps to a Sketch
Posted by jessica

wca0605.jpg

According to award-winning artist and popular instructor David R. Becker, a painting should always begin as a sketch, and there are four elements of any good one. In this free download—an excerpt of the special report from the June 2005 issue of Watercolor Magic (now known as Watercolor Artist)—Becker explains these rules and why you should never skip this important first step in your painting process. Click here to get our free download on the four elements of a watercolor sketch.

By the way, the entire 2005 Watercolor Magic archive is now available on one space-saving CD. Find it in our online store, and follow us on Twitter for a special discount and other Watercolor Artist promotions.






MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos



From the Magazine | Tips and Tools
10/19/2009 2:33:46 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, October 16, 2009
Reel Art
Posted by jessica


Image courtesy of Warner Bros.

Let the wild rumpus start! Fans of the children’s book, Where the Wild Things Are, by author/illustrator Maurice Sendak, can see Sendak’s watercolor illustrations come to life today on the big screen. Spike Jonze’s film by the same name (he co-wrote the screenplay with Dave Eggers) re-interprets Sendak’s fantastical story about a mischievous boy who’s sent to bed without dinner and the magical dreamland he inhabits—and rules. http://wherethewildthingsare.warnerbros.com.




MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos



From the Magazine | Overheard
10/16/2009 11:32:31 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Tuesday, October 13, 2009
Notes from North Light: Sculpt Intricate Details of Light
Posted by Kelly

DAWN.jpgTo achieve the beautiful effects of soft yet radiant light for the piece Dawn (left), artist Robin Berry uses small scrubber brushes as well as toothbrushes to blend and blur the hard lines created by masking fluid. Berry, a potter as well as a watercolorist, refers to this softening and rounding the edges as “sculpturing” the light, a process she likens to the act of molding clay.

For large areas, Berry first sprays the areas with clean water, then uses a wet toothbrush to scrub the hard edges with a small circular motion. For smaller areas, she uses a small scrubbing brush that's wet with clean water to gently scrub the area. If you need to repeat this, dry the paper well before doing so, as too much scrubbing can puncture the paper. As you can see, this gentle touch is worth the effort.

You can see how Robin Berry created this piece from start to finish in Watercolor Secrets, edited by Rachel Rubin Wolf.


North Light Books | Tips and Tools
10/13/2009 2:47:33 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2]
Obamas Choose White House Art
Posted by Kelly

President Obama and his wife Michelle chose more than 40 works of art for the family quarters of the White House and the West and East Wings. Time blogger Richard Lacayo summarized the selections: "In general, as compared to previous First Families, the Obama choices include a somewhat heavier representation of work by African-American artists, and show an unaccustomed taste for abstract work by major names like Richard Diebenkorn and Josef Albers, and also the undersung Alma Thomas. There's also a funny Ed Ruscha about decision and indecision, which shows that the Decider-in-Chief has a sense of humor about himself."


Check out Time magazine's slide show of some of the Obamas picks, borrowed from three museums in Washington: the Smithsonian American Art Museum, the Hirshhorn Museum and Sculpture Garden and the National Gallery of Art.

Obama slides.png




MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos


Overheard
10/13/2009 12:50:42 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, October 09, 2009
New Watercolor Download
Posted by jessica



Fortunately for watermedia artists, there are lots of ways to create compelling textural effects. John Salminen demonstrates nine ways to do so with transparent watercolor in this new digital download. At $1.99, it’s an affordable Friday treat!

Click here for John Salminen’s digital guide to creating texture in watercolor.




MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos



From the Magazine | Tips and Tools
10/9/2009 10:27:05 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Thursday, October 08, 2009
A Palette Within a Palette
Posted by Kelly

McCrackenPalette.jpgIn the August issue of Watercolor Artist we featured the studios of three well-known watercolor artists, including John Salminen, Donna Zagotta and Laurin McCracken. A picture of Laurin's palette caught one reader's eye and she was compelled to write in: "I use a lot of different colors in a large painting and I’ve yet to find a palette that allows me enough room to lay them all out. Can you ask the artist which palette he uses?"

We were happy to oblige, and here's what Laurin had to say: "When I took that photo, I was using a Stephen Quiller Palette by Jack Richeson & Co. In the center, I’d placed a smaller palette that came with an Art Bin storage box. I typically use Quiller watercolors when I paint bright florals, such as the stargazer lilies I was working on at the time. I use the smaller palette in the middle to mix a range of shades of the painting’s dominant color so that I have plenty on hand. For my large still life paintings, I typically use Winsor & Newton tube colors and a John Pike Palette."



MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network email newsletter & receive free fine art tips & demos


From the Magazine | Tips and Tools
10/8/2009 3:48:28 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Tuesday, October 06, 2009
Watercolor: You Can Take It With You
Posted by sarah


From the Magazine
10/6/2009 8:45:54 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, October 02, 2009
October is National Arts and Humanities Month!
Posted by jessica

NAMH_logo_web.jpgShow your appreciation for—and total dependence on!—arts & culture this month to support Americans for the Arts’ National Art and Humanities Month (NAHM)! Find out how you can participate in your area by going to the NAHM website, then spread the word on all the social network outlets you use (you did know we’re on Facebook and Twitter, right?).



MORE RESOURCES FOR ARTISTS

* Online Seminars for Fine Artists
* Instantly download fine art magazines, books & video workshops
* Sign up for your Artist's Network demos


Overheard
10/2/2009 10:00:32 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [3]
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